tag:blogger.com,1999:blog-89285426364874238252024-03-18T10:48:08.793+01:00Commercial RecordsUnknownnoreply@blogger.comBlogger818125tag:blogger.com,1999:blog-8928542636487423825.post-84142636886904769462024-03-17T08:38:00.006+01:002024-03-17T08:38:49.793+01:00The October Group – (first) [12''] (1987, Xcentric Music)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWvTa8iHWYqnQdK2X91yMzf8aKUh0VEmd2QJYRf5OuJVCKkLrWJeZ8enbakqePu3fb8ERjP-0bSJzeij5vc3vhgtQ52lxpfPf3DGAHRgX7iFgylCuEwB4YgF5jD20l8IpNIVPNclhnobup8VnJrl5LeVNWyvp_36GUwWAzAFI1B2wPLdoL2haY6Xe0-vtB/s500/R-19807921-1628570910-8264.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWvTa8iHWYqnQdK2X91yMzf8aKUh0VEmd2QJYRf5OuJVCKkLrWJeZ8enbakqePu3fb8ERjP-0bSJzeij5vc3vhgtQ52lxpfPf3DGAHRgX7iFgylCuEwB4YgF5jD20l8IpNIVPNclhnobup8VnJrl5LeVNWyvp_36GUwWAzAFI1B2wPLdoL2haY6Xe0-vtB/s16000/R-19807921-1628570910-8264.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYAn2X132iexAPMvc_XHhQXnxMPKjfNpthGjAsAgbNn2tjaB-Ua2HOhD_PX8xLIaSYgyG1Ms3849wPKMRsVBvGvp5C78PSFfqYgTuqGpQEGppqHBf2jwp2ZIVZqxOm9Qx9h04Twoi-M0AvBgWSBJVA0abOBqPlAgeqGwleRxqosbuwuEJ7xjcXtv1in1bd/s500/R-19807921-1628570910-4514.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYAn2X132iexAPMvc_XHhQXnxMPKjfNpthGjAsAgbNn2tjaB-Ua2HOhD_PX8xLIaSYgyG1Ms3849wPKMRsVBvGvp5C78PSFfqYgTuqGpQEGppqHBf2jwp2ZIVZqxOm9Qx9h04Twoi-M0AvBgWSBJVA0abOBqPlAgeqGwleRxqosbuwuEJ7xjcXtv1in1bd/s16000/R-19807921-1628570910-4514.jpg" /></a></div>
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<span style="font-size: small;">Formed in Lytham, Lancashire, <b><a href="http://thecommercialzone.blogspot.com/2023/06/divert-off-centre.html" target="_blank">Divert Off Centre</a></b> were the self-styled pioneers of alternative dance beat. The band was associated with the "Blackpool Rox" scene of the early eighties, however, their camped up performances and overblown lyrics set them apart from their punky/oi contemporaries.
Released a picture flexi disc in the spring of 1982 followed by the inclusion of one song on the Lightbeat Records' compilation, '<i>A Drop In The Ocean</i>'. </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">After a couple of years of inactivity <b>Divert Off Centre</b> evolved into <b>The October Group</b>, moved to Amsterdam in '86 and put out a 12" single, '<i>(first)</i>' aka '<i>Colours</i>'. "Colours" was favourably reviewed in the NME who described it as, "Compelling for it's subversive undertones." Although the band split up a year later their songs have turned up on the Messthetics compilations, and continue to receive airplay on alternative radio shows both in Europe and The States. [SOURCE: <a href="https://www.last.fm/music/Divert+Off+Centre/+wiki" target="_blank">LAST.FM</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/pYlJYJO4rBE?si=PpEwab5Wb-wqJbcL" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Label: </b>Xcentric Music – SRT6KL1022 </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Format:</b>
Vinyl, 12", 45 RPM </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Released:</b> 1987 </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Style:</b> New Wave, Synth-pop, Indie Rock </span></div><div style="text-align: left;"><span style="font-size: small;"> </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: left;"><span style="font-size: small;">A1 Colours </span></div><div style="text-align: left;"><span style="font-size: small;">A2 The Quiet Beach </span></div><div style="text-align: left;"><span style="font-size: small;">B1 Persuasion </span></div><div style="text-align: left;"><span style="font-size: small;">B2 Sweet Hedda’s Grave </span></div><div style="text-align: left;"><span style="font-size: small;"> </span></div><div style="text-align: left;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/z7qlyig2cpm5nkh/October+Group+-+(first)+[12'']+(1987,+Xcentric+Music).rar/file" target="_blank">HERE</a>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-25470430739345203292024-03-16T08:16:00.001+01:002024-03-16T08:16:27.536+01:00Nord – L∴S∴D∴ [LP] (1984, L∴S∴D∴ Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiInkWaJMqdN2wps2yfwUvZa6bYM4KlVpauCALGhXaRa0NtD_LImXqDWm0tQQ9OEY0FnjrzKNDQcs4MUzm2yUPOkgOLhoZlQETa8-3K9CRADfDu4wBwCykAN6aCv9z9NQOl7pah7hwzgZkzFWNcjbP9IZCPEo1iV5ELrgYhM7bh1oyfFpRLUHnVdzBUgXAM/s500/R-638357-1383371524-3294.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiInkWaJMqdN2wps2yfwUvZa6bYM4KlVpauCALGhXaRa0NtD_LImXqDWm0tQQ9OEY0FnjrzKNDQcs4MUzm2yUPOkgOLhoZlQETa8-3K9CRADfDu4wBwCykAN6aCv9z9NQOl7pah7hwzgZkzFWNcjbP9IZCPEo1iV5ELrgYhM7bh1oyfFpRLUHnVdzBUgXAM/s16000/R-638357-1383371524-3294.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicRdncs4jvuw6kUgNQhCCR3FDaFiD9oSpiUOzEK9ta1aUlW0DK1lAhXEZMwtF3czXsRdyG2eved-_pHGOygEjVcF9bTS53mfF5aiiqc3DaQfC5VtyhsYa3vMasqYf_gAOTJobaOWkSA0gY7ukdwI_-Tl8wBU3AhMqIg90WgPllu0rq8j1WoctPPXNwaYka/s500/R-638357-1383371532-8991.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicRdncs4jvuw6kUgNQhCCR3FDaFiD9oSpiUOzEK9ta1aUlW0DK1lAhXEZMwtF3czXsRdyG2eved-_pHGOygEjVcF9bTS53mfF5aiiqc3DaQfC5VtyhsYa3vMasqYf_gAOTJobaOWkSA0gY7ukdwI_-Tl8wBU3AhMqIg90WgPllu0rq8j1WoctPPXNwaYka/s16000/R-638357-1383371532-8991.jpg" /></a></div>
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<span style="font-size: small;"><b><a href="http://thecommercialzone.blogspot.com/2018/07/nord.html" target="_blank">Nord</a></b> is a Japanese noise project, originally formed in 1979 by <b>Satoshi Katayama</b> and <b>Hiroshi Oikawa</b>. This lineup released a self-titled LP on Pinakotheca in 1980. The duo split in 1983 and both members continued to use the name <b>Nord</b>. The group's name was derived from <b>Louis-Ferdinand Céline</b>'s 1960 novel "Nord".<b>Oikawa</b> put out several releases on his L∴S∴D∴ Records, but didn't play live. He ceased activities in the late 80s. <i> </i></span></div><div style="text-align: justify;"><span style="font-size: small;"><i> </i></span></div><div style="text-align: justify;"><span style="font-size: small;"><i>'L∴S∴D∴</i>' was issued in a limited edition of 200 copies. The ambiguity of the cover (is it "LSD" by Nord or "Nord" by LSD?) had a profound effect on Japanoise. A young <b><a href="http://thecommercialzone.blogspot.com/2018/03/masonna.html" target="_blank">Masonna</a></b> purchased this album thinking it was a German psych rock band called LSD, so you can imagine that the shock of expecting a traditional album only added to the profound effect it would have on him. [SOURCE: <a href="https://rateyourmusic.com/release/album/nord/l%E2%88%B4s%E2%88%B4d%E2%88%B4/" target="_blank">RATE YOUR MUSIC</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/FG8uBa7WM3s?si=LFPsz3d2I6b-ya3n" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> L∴S∴D∴ Records – LSDL-01 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Vinyl, LP, Limited Edition </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Japan </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1984 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Noise, Industrial, Drone <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 序曲
- </span><span style="font-size: small;">Jokyoku (Overture)</span></div><div style="text-align: justify;"><span style="font-size: small;">A2 L S D </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 L S D </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 ザ・ゴースト・サウンズ
- </span><span style="font-size: small;">Za Gōsuto Saunzu (The Ghost Sounds)</span><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/wfglzqp0bfs8bg9/Nord+[2]+-+L∴S∴D∴+(1984,++L∴S∴D∴).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-20351783423175886752024-03-10T09:30:00.000+01:002024-03-10T09:30:07.984+01:00Moist Device – Moist Device [7''] (1985, Enigma Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPxFKDLoezUlhJ1m1nXMOn2hFui3khURbw2z6QjSS39r_Vi6nlRekog4EuO7kTZgG8qvlNfApIWoc4UNqrb16Rqu8itm3x34sQOZeQ-sjz7bxg_ZPPaTMBwoUV-mamnJCu4TQX3R8fHMh-JfTqjMG1BnApujKrharta4PoTtTZsqTSo-jVOikM1_PCSy2-/s505/R-909831-1171972414.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="505" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPxFKDLoezUlhJ1m1nXMOn2hFui3khURbw2z6QjSS39r_Vi6nlRekog4EuO7kTZgG8qvlNfApIWoc4UNqrb16Rqu8itm3x34sQOZeQ-sjz7bxg_ZPPaTMBwoUV-mamnJCu4TQX3R8fHMh-JfTqjMG1BnApujKrharta4PoTtTZsqTSo-jVOikM1_PCSy2-/s16000/R-909831-1171972414.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkn1SyQ6A8GECnynbESUQt2szkNP2ktTNUjo1G1J3jIUr03yqReJh9Co5LzIKgFH0wIvU8ze4H8tepYF1FSIrdG08PqUsgPbMstzdWSQqzVMCvdxiaaVBGRfHDe8mqPJ1ACta4Ls5YmFKr6dqrJMnns7I67U1tojd-UOTWvfzyO1Zf3SV5oyHHywaL3F6x/s503/R-909831-1171972448.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="503" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkn1SyQ6A8GECnynbESUQt2szkNP2ktTNUjo1G1J3jIUr03yqReJh9Co5LzIKgFH0wIvU8ze4H8tepYF1FSIrdG08PqUsgPbMstzdWSQqzVMCvdxiaaVBGRfHDe8mqPJ1ACta4Ls5YmFKr6dqrJMnns7I67U1tojd-UOTWvfzyO1Zf3SV5oyHHywaL3F6x/s16000/R-909831-1171972448.jpg" /></a></div>
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<span style="font-size: small;">Funk / Post Punk band formed in 1985 in Athens, Greece. After the band <b>Berlin 45</b> split, its members went on to form <b>Moist Device</b> and <b>Black Balloon</b>. Members of <b>Moist Device</b> participated also in <b>Libido Blume</b>, <b>Χωρίς Περιδέραιο</b> (</span><b>Horis Peridereo</b>)<span style="font-size: small;">, <b>Venericna Bolest</b> and <b>Γενιά Του Χάους</b> (</span><b>Genia Tou Haous</b>)<span style="font-size: small;">.
On 22 and 23/10/1984 they performed live at Hima Club (Athens) along with <b>Femmes Fatales</b> and <b>Anti Troppau Council</b>. Members: <b>Giannis Kostovasilis</b> (guitar, vocals), <b>Giorgos Pipinis</b> (bass, vocals), <b>Giorgos Drakopoulos</b> (keyboards), <b>Tasos Katsaris</b> (saxophone) and <b>Stefanos Larentzakis</b> (drums).</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/lHbst-esbeQ?si=1x8Xpt7rap7gHZH_" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Enigma Records – ESP 107 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Vinyl, 7", 45 RPM </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Greece </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1985 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> New Wave, Art Punk, Punk Rock<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A Youth Can Never Die 2:18 </span></div><div style="text-align: justify;"><span style="font-size: small;">B Six Days (Don't Make A Week) 2:32 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/om1f0o9h5p66w3f/Moist+Device+-+Moist+Device+[7'']+(1985,+Enigma).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-40977178607400616752024-03-09T09:46:00.000+01:002024-03-09T09:46:08.693+01:00Landscape Of Sound – Live Forever [7''] (1983, Not On Label)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimzy9N92HSOhTjFdcbAlGL7UZ3jK9o0pdgyjB31H5lKt9xYjvQye84BM17grXV_gmbmjZL_9_iMw2CErXyUUVGmfMO4kTkJ3weIZFgy1B0CDxXU5tfzxsgmS2IrnzTI0lggWBMdX6nWf_sDZlt_44reGi8WeURsM-3Qe-Ef4yHCiqSFWbvQS-m1RSKupnM/s500/R-4967166-1410935713-1476.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="498" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimzy9N92HSOhTjFdcbAlGL7UZ3jK9o0pdgyjB31H5lKt9xYjvQye84BM17grXV_gmbmjZL_9_iMw2CErXyUUVGmfMO4kTkJ3weIZFgy1B0CDxXU5tfzxsgmS2IrnzTI0lggWBMdX6nWf_sDZlt_44reGi8WeURsM-3Qe-Ef4yHCiqSFWbvQS-m1RSKupnM/s16000/R-4967166-1410935713-1476.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjon9wk15rWKKpqw8kecpjuExKYOgoqSFN2-_IfOMl1dWWhVW8wJKII2mmsKoXz6UN4dcgjpP7bkldWA_s_8jTLl7BuafFmpumUY-NM5r7p9scvwiKtg0uEDJ72IxsEKYgkuFjeff5zM5OWCF3NxotR4PkGTiIVECSZSGbXexPYazr00hYVE6OC4I2gCAuB/s503/R-4967166-1410935730-9096.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="503" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjon9wk15rWKKpqw8kecpjuExKYOgoqSFN2-_IfOMl1dWWhVW8wJKII2mmsKoXz6UN4dcgjpP7bkldWA_s_8jTLl7BuafFmpumUY-NM5r7p9scvwiKtg0uEDJ72IxsEKYgkuFjeff5zM5OWCF3NxotR4PkGTiIVECSZSGbXexPYazr00hYVE6OC4I2gCAuB/s16000/R-4967166-1410935730-9096.jpg" /></a></div>
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<b>Landscape of Sound</b> was an American post-punk / synth-pop band formed
in Los Angeles by <b>Adam Elesh</b> (guitar, keyboards), <b>Brett Smith</b> (bass) and <b>Jessie Rodriguez</b> (vocals). They only realeased this single before splitting.<br /></div><div style="text-align: justify;"> </div><div style="text-align: justify;"><b>Adam Elesh</b> and <b>Brett Smith</b> formed <b>Drowning Pool</b> afterwards, an avant-rock ensemble that released extraordinary collections of eccentric songs: the double album '<i>Satori</i>' (Nate Starkman and Son, 1987), the EP '<i>Nierika</i>' (Viva Records, 1988) and the album '<i>Aphonia</i>' (Nate Starkman and Son, 1989). Their music straddled the line between new wave, psychedelia, world-music, ambient and industrial. They changed name to <b>Mumbles</b> in 1990 and released the album '<i>Two Clouds</i>' on Viva Records out of Italy. </div><div style="text-align: justify;"> </div><div style="text-align: justify;">In 1996 original vocalist <b>Andrew Crane</b> released the album '<i>Sustenance</i>' under the name <b>Acorn</b> and fellow <b>Drowning Pool</b> members <b>Adam Elesh </b>and <b>Brett Smith</b> appeared on various tracks as guest musicians.
In 2011 <b>Adam</b> and <b>Brett Smith</b> formed a new project called <b>KinderCrowdControl</b> and released the album '<i>Selah</i>' on <b>Bruce Licher</b>'s Independent Project Records label.</div><div style="text-align: center;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/dszJcIY-RBI?si=wpcdUy4LAeyOk79X" title="YouTube video player" width="560"></iframe><br /> </div><div style="text-align: justify;"><b>Label:</b> Not On Label – none </div><div style="text-align: justify;"><b>Format:</b>
Vinyl, 7", 45 RPM </div><div style="text-align: justify;"><b>Country:</b> US </div><div style="text-align: justify;"><b>Released:</b> 1983 </div><div style="text-align: justify;"><b>Style:</b> Synth-pop, Post-Punk<br /></div><div style="text-align: justify;"> </div><div style="text-align: justify;"><b>Tracklist: </b><br /></div><div style="text-align: justify;">A Live Forever 5:14 </div><div style="text-align: justify;">B On The Edge 5:12 </div><div style="text-align: justify;"> </div><div style="text-align: justify;">DOWNLOAD <a href="https://www.mediafire.com/file/y53k81eytzngygk/Landscape+Of+Sound+-+Live+Forever+++On+The+Edge+[7'']+(1983,+Not+On+Label).rar/file" target="_blank">HERE</a>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-29684343658180350042024-03-03T09:53:00.001+01:002024-03-03T09:53:35.205+01:00King Snake Roost – Things That Play Themselves [LP] (1989, Aberrant Records)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ifd1CajYnay95k-09wYfr5OmnKcnfXQeWoi5KV2EUHiPjBIeoPQq8VGhPpsqSli1HIgbI7n_UbH1DYdy8WU6k9MaNW8bEvJC7GOPIb0XmX06HQW1Obfh5hpSy-rIHntO1wuNEDCHx7YQrmWq-wLoevtFfnMDMxGCqhhsTMdBqm68GSr2A4eVZy2wlUyX/s500/R-2597788-1538016150-6463.jpg" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicyf9Nm13biLquTJUvSiZenYQDRLT6TUK11D1khIK9WMsHyjL94sHv6m6NkZp2SW1d_adFfHSfbmjLxKzfQr37bNm1JLDdJOLpGHZnpLvd1I4GXhKPk-Nx11JawA7lZkuWF2-Mq1qmz5xG9m7AHsU0Q0spIawaFro9lFkCa5QY2xPYF2MYv-Tzlcfeqp1L/s500/R-2597788-1538016148-3367.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicyf9Nm13biLquTJUvSiZenYQDRLT6TUK11D1khIK9WMsHyjL94sHv6m6NkZp2SW1d_adFfHSfbmjLxKzfQr37bNm1JLDdJOLpGHZnpLvd1I4GXhKPk-Nx11JawA7lZkuWF2-Mq1qmz5xG9m7AHsU0Q0spIawaFro9lFkCa5QY2xPYF2MYv-Tzlcfeqp1L/s16000/R-2597788-1538016148-3367.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ifd1CajYnay95k-09wYfr5OmnKcnfXQeWoi5KV2EUHiPjBIeoPQq8VGhPpsqSli1HIgbI7n_UbH1DYdy8WU6k9MaNW8bEvJC7GOPIb0XmX06HQW1Obfh5hpSy-rIHntO1wuNEDCHx7YQrmWq-wLoevtFfnMDMxGCqhhsTMdBqm68GSr2A4eVZy2wlUyX/s500/R-2597788-1538016150-6463.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="465" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ifd1CajYnay95k-09wYfr5OmnKcnfXQeWoi5KV2EUHiPjBIeoPQq8VGhPpsqSli1HIgbI7n_UbH1DYdy8WU6k9MaNW8bEvJC7GOPIb0XmX06HQW1Obfh5hpSy-rIHntO1wuNEDCHx7YQrmWq-wLoevtFfnMDMxGCqhhsTMdBqm68GSr2A4eVZy2wlUyX/s16000/R-2597788-1538016150-6463.jpg" /></a></div>
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<span style="font-size: small;">Gifted with a rhythm section that sounded like a garbage truck's exhaust backfiring and a guitarist who rarely felt the need to play chords, Australia's <b><a href="http://thecommercialzone.blogspot.com/2022/01/king-snake-roost.html" target="_blank">King Snake Roost</a></b> played the kind of noise rock that let them easily fit into the roster of Amphetamine Reptile Records. They also confirmed Australia as a hotbed of blues-punk -yes, the influence of the blues can easily be discerned beneath all the garbage truck backfiring and dearth of guitar chords, and their vocalist did his best Delta-blues-scorched-black growl. Can't really claim these guys as some unjustly obscure geniuses; after all, their path had already been pretty well-trod before them (question: is <b><a href="http://thecommercialzone.blogspot.com/2017/01/nick-cave-bad-seeds.html" target="_blank">Nick Cave</a></b> an Australian "national hero" like <b>Springsteen</b> is in the States? Just wondering). Still, when you want some down n' dirty, defiantly art-free noise rock, they're a damn fine cup o' disease. Inspirational lyric (from "Trogman's Buried"): "He showed my mom his circumcision scars / Then he drowned in his own blood." [SOURCE: <a href="https://rateyourmusic.com/release/album/king-snake-roost/things-that-play-themselves/" target="_blank">RATE YOUR MUSIC</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/luOzRrNGyYk?si=ViqS8evdYfgG_D0f" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Aberrant Records – 1THING </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, LP </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Australia </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> Jan 25, 1989 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Alternative Rock, Noise, Noise Rock, Punk Blues, Grunge<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 Worm's Eye View </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 D.T.'s </span></div><div style="text-align: justify;"><span style="font-size: small;">A3 The Ledge Does Vegas </span></div><div style="text-align: justify;"><span style="font-size: small;">A4 Everything Falls Apart </span></div><div style="text-align: justify;"><span style="font-size: small;">A5 Hammerhead </span></div><div style="text-align: justify;"><span style="font-size: small;">A6 Acid Heart </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Fried </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Trogman's Buried </span></div><div style="text-align: justify;"><span style="font-size: small;">B3 Talking Turkey </span></div><div style="text-align: justify;"><span style="font-size: small;">B4 Shunting Yard </span></div><div style="text-align: justify;"><span style="font-size: small;">B5 That Again? </span></div><div style="text-align: justify;"><span style="font-size: small;">B6 Gutterbreath </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Other Versions: </b></span></div><div style="text-align: justify;"><span style="font-size: small;">Amphetamine Reptile Records (1989, US): LP (</span>ARR 89168-1) + Cassette (ARR 89168-4)</div><div style="text-align: justify;">Megadisc (1989, Netherlands): LP (MD 7906) </div><div style="text-align: justify;"> </div><div style="text-align: justify;">DOWNLOAD <a href="https://www.mediafire.com/file/oovdqmj3busmsfd/King+Snake+Roost+-+Things+That+Play+Themselves+(1989,+Aberrant).rar/file" target="_blank">HERE</a> <br /></div><div style="text-align: justify;"><table class="versions_1t0s2"><tbody><tr><td></td><td><br /></td><td><br /></td><td><br /></td><td><br /></td><td class="skittles_R7Y6I"><br /></td></tr><tr><td class="quality_1-x4K none_11Wf1"><br /></td></tr></tbody></table></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-51478828502438078832024-03-02T12:51:00.000+01:002024-03-02T12:51:09.672+01:00Jonestown – Genetics For Your Future [7''] (1990, Skidmark Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhppFcSZJ3uLPHNOLtQDq7B7uYLj3eE7aIkHV5Br5S0OxhyM476KGgAgQvbKIDhssfF4gN9Wy0beVjGbwoefPZl-VqwPsJveBhb_3MIJK3wOxNc40cBXXBbnT1yYEkjpW1ZBQnQxUrxequ-obeaNsm4aunLoEpzi-Fb82FdjluWdzQE0mp-Pug2TpHUjtcR/s500/R-1561692-1331820917.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="492" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhppFcSZJ3uLPHNOLtQDq7B7uYLj3eE7aIkHV5Br5S0OxhyM476KGgAgQvbKIDhssfF4gN9Wy0beVjGbwoefPZl-VqwPsJveBhb_3MIJK3wOxNc40cBXXBbnT1yYEkjpW1ZBQnQxUrxequ-obeaNsm4aunLoEpzi-Fb82FdjluWdzQE0mp-Pug2TpHUjtcR/s16000/R-1561692-1331820917.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg39fk3IoUsOrTBdot_SclyEtrNKkKpTxZqmGZ1tIBmW6l7oY3TQGAexODcsAJisBMcqLVOY21AL_Gf6kZD-LxBfmQ7VHVx0wczokyZQXhObfYU2hYyHKOAEK7XgKdCIUC5B8iqjPH1-MgnFMIslR8louVNIvWuQ6kkvrfJO-oREQY4XRegSvetmyW4bMV0/s501/R-1561692-1331820926.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="501" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg39fk3IoUsOrTBdot_SclyEtrNKkKpTxZqmGZ1tIBmW6l7oY3TQGAexODcsAJisBMcqLVOY21AL_Gf6kZD-LxBfmQ7VHVx0wczokyZQXhObfYU2hYyHKOAEK7XgKdCIUC5B8iqjPH1-MgnFMIslR8louVNIvWuQ6kkvrfJO-oREQY4XRegSvetmyW4bMV0/s16000/R-1561692-1331820926.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><b>Jonestown</b> was an American noise rock band from Minneapolis originally consisting of <b>Dan Gannon</b>, <b>Eric Miklasevics</b>, <b>Geoffrey Trelstad</b>, <b>Joe Trelstad</b> and <b>Tom Greenwood</b>. They released one album and several singles in the early 90's.
<b>John Peel</b> played a track from their debut single, '<i>Genetics For Your Future</i>', on his radio programme in the spring of 1990. He would play further material from the group until 1992 on his radio programmes and mentioned on his 15 July 1991 (Radio Bremen) show that he would love to see the band perform. [SOURCE:<a href="https://peel.fandom.com/wiki/Jonestown" target="_blank"> JOHN PEEL WIKI]</a></span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/AMRso_VTGDg?si=JlR4MLnNBnzZ14jT" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Skidmark Records – none </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 7", 45 RPM </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> US </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1990 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style: </b>Alternative Rock, Punk, Indie Rock, Noise Rock <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A Crusty Rug </span></div><div style="text-align: justify;"><span style="font-size: small;">B Tri-State (Breeders Co-Op) </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/c7pt3urcxcddjqp/Jonestown+-+Genetics+For+Your+Future+[7'']+(1990,+Skidmark).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-6871640827788816592024-02-25T11:34:00.001+01:002024-02-25T11:34:13.364+01:00The Instant Automatons – Blues Masters Of The Humber Delta [Cass] (1980, Deleted Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinTlArIxAHO3iArfi2MQeZPAaL2BoWqCozyMLQjJBVtIl43GNLPEz83qdUKlReCrqR4kJPwrOplULofxocrwGybk2uj07OVvV8tLyUZhQLmDF3Ouxbdo6wlUe50D5t7ij7ULEgW-tbozBH_6LA78leMowK4ha3nKRLRXBCozpbL6yEjFndQ9B0Dsf3heqS/s500/R-2349890-1656873820-5530.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="463" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinTlArIxAHO3iArfi2MQeZPAaL2BoWqCozyMLQjJBVtIl43GNLPEz83qdUKlReCrqR4kJPwrOplULofxocrwGybk2uj07OVvV8tLyUZhQLmDF3Ouxbdo6wlUe50D5t7ij7ULEgW-tbozBH_6LA78leMowK4ha3nKRLRXBCozpbL6yEjFndQ9B0Dsf3heqS/s16000/R-2349890-1656873820-5530.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9notSK57nHEGCdCj-bqiVgwJ4w2iB0K9W91vFuU-n8_EwxTzx8k31lmzkRmi4DUi_eUPRgCUUtNq-RNGMIvrhu36qT19Ry4yNLIFM48yciQ3ox0AZ6P9p9yU_RKW3E0_HtK8yrPEbGZEoDo1p66qEB-HZNr5vfI2u7C9ifo58R2J2d3rHfmjnHdqJCDJt/s500/R-2349890-1656873845-1722.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="496" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9notSK57nHEGCdCj-bqiVgwJ4w2iB0K9W91vFuU-n8_EwxTzx8k31lmzkRmi4DUi_eUPRgCUUtNq-RNGMIvrhu36qT19Ry4yNLIFM48yciQ3ox0AZ6P9p9yU_RKW3E0_HtK8yrPEbGZEoDo1p66qEB-HZNr5vfI2u7C9ifo58R2J2d3rHfmjnHdqJCDJt/s16000/R-2349890-1656873845-1722.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><b><a href="http://thecommercialzone.blogspot.com/2023/07/the-instant-automatons.html" target="_blank">The Instant Automatons</a></b> were leading figures in the largely cassette-based U.K. Bad Music scene (a British DIY movement whose adherents made their music available on cassette, for free) of the late '70s. Between 1977 and 1982 , using a bedroom full of homemade gear plus some conventional instrumentation, core members <b>Protag</b> (later of <b><a href="http://thecommercialzone.blogspot.com/2017/05/alternative-tv.html" target="_blank">Alternative TV</a></b>, <b><a href="http://thecommercialzone.blogspot.com/2016/12/blyth-power.html" target="_blank">Blyth Power</a></b> and <b><a href="http://thecommercialzone.blogspot.com/2021/05/zounds.html" target="_blank">Zounds</a></b>) and <b>Mark Lancaster</b> (“somewhere between <b>Cooper Clarke</b> and <b>Mark E. Smith</b>”) forged a warped hybrid of traditional songcraft and lo-fi primitive post punk. Although cassettes were the band's native medium, they also appeared on several vinyl releases, including their own EP and various compilations featuring similar weirdos. </span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
<b>The Instant Automatons</b> mixed the experimental and the conventional, with relatively traditional song structures often lurking beneath the surface weirdness -unlike some of their post-punk contemporaries who deconstructed the concept of "the song" itself. Again, <b>Lancaster</b> attributes some of this to practical considerations: "We were only just learning to play our instruments and our equipment was deficient, so even our best efforts to play 'properly' sometimes turned out quite bizarre." The band was never short of skewed rock and pop oddities. [SOURCE: <a href="https://bferecords.bandcamp.com/album/sincerely-making-a-noise" target="_blank">BFE RECORDS BANDCAMP</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/cHu3OhJqR-k?si=d6deVEm2-izLodte" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Deleted Records – DEC 010 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:
</b>Cassette, Numbered, C60 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released: </b>1980 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Lo-Fi, Experimental, Post-Punk, Minimal Wave <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;"><i>North Bank </i></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 All You Need Is Love </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 Laburnum Walk </span></div><div style="text-align: justify;"><span style="font-size: small;">A3 Mr. MacPhee </span></div><div style="text-align: justify;"><span style="font-size: small;">A4 Esoteric No. 2 - Blazing Pedals </span></div><div style="text-align: justify;"><span style="font-size: small;">A5 Catacomb (MG) </span></div><div style="text-align: justify;"><span style="font-size: small;">A6 Catacomb </span></div><div style="text-align: justify;"><span style="font-size: small;">A7 Prisoner Of The Grapevine </span></div><div style="text-align: justify;"><span style="font-size: small;">A8 I Think Somebody Must Have Poisoned Me </span></div><div style="text-align: justify;"><span style="font-size: small;"><i>South Bank</i> </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Then He Hit Me </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Esoteric No. 5 - Brains Under Glass </span></div><div style="text-align: justify;"><span style="font-size: small;">B3 Restless Night (LMC) </span></div><div style="text-align: justify;"><span style="font-size: small;">B4 Ballad Of The New Things </span></div><div style="text-align: justify;"><span style="font-size: small;">B5 Disillusion (LMC) </span></div><div style="text-align: justify;"><span style="font-size: small;">B6 August '78 (LMC) </span></div><div style="text-align: justify;"><span style="font-size: small;">B7 When The Pubs Close </span></div><div style="text-align: justify;"><span style="font-size: small;">B8 Outro (MG) </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">(MG) -> Live at Meanwhile Gardens </span></div><div style="text-align: justify;"><span style="font-size: small;">(LMC) -> Live at the London Musicians Collective </span></div><div style="text-align: justify;"><span style="font-size: small;">"Live performances and bedroom recordings made by the Instant Automatons during February to October 1980." </span></div><div style="text-align: justify;"><span style="font-size: small;">"<b>The Instant Automatons</b>; not published not copyright 1980 rip us off - see if we care". </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/xgd782t2lt062m2/Instant+Automatons+-+Blues+Masters+Of+The+Humber+Delta+[Cass]+(1980,+Deleted).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-66554481347351483512024-02-24T21:17:00.006+01:002024-02-24T21:17:46.515+01:00Hit Parade – Bad News [7''] (1983, Crass Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsvAgPlYq-Dz3mEKIr47Yzvgf1VNtsMuXo5Qv3oMrZgBBYY0asCsTIlG9Rji3PZFOW_EfwQ9gH0MxkSODMu0wT60IUEZCGFxdNgfLfDJSzBVfPEMFBQ4tYpVYrz6rkCz6PM-wCRfM_VuzRAtBjOs4MM3VX69b-JCm4yNDhmYG7HtmEpCPTLYkxoar2Gptn/s500/R-216753-1436290317-5790.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsvAgPlYq-Dz3mEKIr47Yzvgf1VNtsMuXo5Qv3oMrZgBBYY0asCsTIlG9Rji3PZFOW_EfwQ9gH0MxkSODMu0wT60IUEZCGFxdNgfLfDJSzBVfPEMFBQ4tYpVYrz6rkCz6PM-wCRfM_VuzRAtBjOs4MM3VX69b-JCm4yNDhmYG7HtmEpCPTLYkxoar2Gptn/s16000/R-216753-1436290317-5790.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg4V3CPebSppnuYzJkWcsyXYgKJqf_sWB59cf_IPaY4XpmEiU2cJty2rnnS47T6plqLDVKpejdQCAqY2J-p2zgEItO2ewwgMxs58XwDcGNurw0-DwF_4EPR22QQbsX2C67Qr5ZqHPsWIpmLjRFaMhBXDeryk4ZvIklKRwIPedNnuLGhB1mwWGFtDa8gVA9/s500/R-216753-1436290316-3359.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="496" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg4V3CPebSppnuYzJkWcsyXYgKJqf_sWB59cf_IPaY4XpmEiU2cJty2rnnS47T6plqLDVKpejdQCAqY2J-p2zgEItO2ewwgMxs58XwDcGNurw0-DwF_4EPR22QQbsX2C67Qr5ZqHPsWIpmLjRFaMhBXDeryk4ZvIklKRwIPedNnuLGhB1mwWGFtDa8gVA9/s16000/R-216753-1436290316-3359.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><b>Hit Parade</b> was basically a one man anarchist band, the brainchild of <b>P. Checkoff</b> (aka <b>Rik O’che</b>) a member of the Anarchist Collective in Belfast. Being a left-wing socialist <b>Checkoff</b>’s songs were highly political by nature and concentrated on life in Northern Ireland. Subject matter ranged from the evils of television to H Blocks; the RUC to housing problems, and of course unemployment. “I wanted to make people aware that there’s more than a tribal sectarian war here, there are a lot of problems. It’s a multi-problematic place" stated <b>Checkoff</b> shortly after the release of the '<i>Nick Nack Paddy Wack</i>' album in 1986.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
Unsurprisingly, <b>Hit Parade</b> signed to the Crass label. <b>Hit Parade </b>produced electronic music made up of samples, loops and noises and were helped out in the studio by the likes of <b>Eve Libertine</b>, <b>Penny Rimbaud</b>, <b>Jane Gregory</b> and <b><a href="http://thecommercialzone.blogspot.com/2016/05/flux-of-pink-indians.html" target="_blank">Flux Of Pink Indians</a></b> and a host of other musicians, <b>Checkoff</b> said at the time “All the structure of the songs is done by me here in Belfast. But when I go into the studio in London it becomes more of a collected effort with different people putting in ideas.” The first release was the '<i>Bad News</i>' EP in ‘83. This was followed by the '<i>Plastic Culture</i>' 12” single in ‘84 and finally by the '<i>Nick Nack Paddy Wack</i>' album. The album was recorded in ‘84 but due to the financial crisis <b><a href="http://thecommercialzone.blogspot.com/2016/11/crass.html" target="_blank">Crass</a></b> were in at that time, it wasn’t released until ‘86.<b> Penny Rimbaud</b> and <b>Paul Ellis</b> produced the album.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
Upon the release of the E.P. '<i>Bad News</i>', an electro-rap rant on such evils as television, H Blocks, the RUC and so on the Crass label in 1982, copies were seized by Special Branch at retail outlets, along with everything else on the Crass independent label, it managed to reach No.4 in the independent charts.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
Before the album was released, Channel 4 produced and screened a TV documentary on the health of women in Northern Ireland. The documentary was called "Under The Health Surface" and the programmes soundtrack featured the music of <b>Hit Parade</b>, which can be found on the '<i>Nick Nack</i>' LP in slightly different forms. [SOURCE: <a href="http://www.spitrecords.co.uk/hitparade.htm" target="_blank">SPIT RECORDS</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/BXTP7CV4Y24?si=FbsojtbKUgS6mYJL" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Crass Records – 221984/12 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 7", 45 RPM, Single </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1983 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Synth-pop, Experimental, Synth Punk, Minimal Synth, Anarcho-Punk<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 Here's What You Find In Any Prison </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 More Faces </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Bad News </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 H Block </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/0o1puz8gamtoz9p/Hit+Parade+[Dave+Hyndman]+-+Bad+News+[7'']+(1982,+Crass).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-1858657654376967572024-02-18T15:24:00.006+01:002024-02-18T15:25:21.373+01:00Games – Dance This Way [7''] (1982, Open Eye Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUPxMUTr0EJqI5ugvvIP8ywzlKxKpkrzETu3qqB9qdI9gEGJHXaJIKpRuI67_VyLBDIsSfAd0iBZ_NcGRgfvpRQArZa-oYBkSZG_Kbi_RHfzjztc_MvsaCvlwa6Zm9usEZ7VPHC8SJUx1ka0m2V0Z1wn-yd-ieHGrr1m5HbzHGkP5fMxI_uXYSZ8izEn75/s510/R-1082375-1539529904-6015.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUPxMUTr0EJqI5ugvvIP8ywzlKxKpkrzETu3qqB9qdI9gEGJHXaJIKpRuI67_VyLBDIsSfAd0iBZ_NcGRgfvpRQArZa-oYBkSZG_Kbi_RHfzjztc_MvsaCvlwa6Zm9usEZ7VPHC8SJUx1ka0m2V0Z1wn-yd-ieHGrr1m5HbzHGkP5fMxI_uXYSZ8izEn75/s16000/R-1082375-1539529904-6015.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3pJ62u2VYNQOK3XH_J8ujatbY4_2YnOlXo_LuEkKewJZTQVaO8EstHW8v0lVtfBh_rLLSH0Ne0q0RR_83QBUH2Im02kPQPFIlBK_oqsQ81JG95jr_tPCDFgerhHTuHviP2rWVwFi-JgqIV9uowRc6rKGFnQs5nUv0zFgxDdLjTWRdKEiNlgc8Kuz1CQc/s507/R-1082375-1539529904-8375.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE3pJ62u2VYNQOK3XH_J8ujatbY4_2YnOlXo_LuEkKewJZTQVaO8EstHW8v0lVtfBh_rLLSH0Ne0q0RR_83QBUH2Im02kPQPFIlBK_oqsQ81JG95jr_tPCDFgerhHTuHviP2rWVwFi-JgqIV9uowRc6rKGFnQs5nUv0zFgxDdLjTWRdKEiNlgc8Kuz1CQc/s16000/R-1082375-1539529904-8375.jpg" /></a></div>
<div style="text-align: justify;"><b><a href="http://thecommercialzone.blogspot.com/2019/12/games.html" target="_blank">Games</a></b> were a pioneering three-piece synth-pop outfit, formed in 1980 and consisting of <b>Brendan Coyle</b> (synthesisers, percussion, vocals), <b>Colin Hughes</b> (synthesisers, percussion, organ, vocals) and <b>Steve Knott</b> (synthesisers, guitar, vocals), from Wirral, UK. The same year, they self-released their first 7" single '<i>Childsplay</i>' followed by a contribution of the two tracks "Unrest In The Real World" and "The Song" to the '<i><a href="http://commercialrecords.blogspot.com/2019/02/various-street-to-street-volume-two-lp.html" target="_blank">Street To Street Volume Two</a></i>' LP compilation on Liverpool's Open Eye Records in 1981. Then the band fell apart with <b>Steve</b> moving on under the <b>Games</b> moniker including new band members. Their 7" single '<i>Dance This Way/Love Canal</i>' still saw its release in 1981. <b>Brendan</b> and <b>Colin</b> moved on as <b><a href="http://thecommercialzone.blogspot.com/2019/03/zephyr-in-swamp.html" target="_blank">Zephyr In The Swamp</a></b>, <b>Brendan</b> also played in <b>Some Detergents</b>, and <b>Colin</b> in <b>Sense Of Vision</b>.</div><div style="text-align: justify;"> <br />
<b>Games</b> were truly ahead of their time and quite unique in that they played credible well-crafted pop songs in a purely electronic style. They did not ride the wave of synth-pop, they were the early creators. The stories of the band waiting outside Hessy’s famous music store in Liverpool waiting for their orders of the Roland SH-09 to be delivered, emphasised that they were the zealots of the synthesiser phenomenon which was to change pop music forever.
Looking back their commitment enthusiasm and industry was truly remarkable. Ironically the songs were not dry and mechanical. The crude monophonic synths and very early Dr. Rhythm drum machine were used creatively to produce memorable, dramatic and emotional pop songs. <b>Games</b> truly were visionaries and pioneers. They never got the credit they deserved because they were not in the right place at the right time and lacked the contacts good management could have provided.</div><div style="text-align: justify;"><br />
This single was recorded at Open Eye Studio, Liverpool in 1981 and released the same year. The tracks were recorded by <b>Dave Hutchman</b> and <b>Steve Knott</b> on a Studer A80 8-track machine. <b>Wayne Hussey</b> played guitar; <b>Brian Rawling</b> played drums; <b>Dave Hutchman</b> played trumpet on "Love Canal"; and <b>Steve Knott</b> played synthesisers, sang, and wrote the songs (published by BMG-Chrysalis). The tracks were produced and mixed by the band, and the single was mastered by <b>Tim Young</b> at CBS in London. The label graphic and typesetting were done by <b>Alex Plain</b> and the sleeve graphic was drawn by <b>Steve Knott</b> (based on dance notation). The <b>Games</b> logo is based on the Omni typeface. The track "Love Canal" is an edited version, the full version contains an extra verse (unreleased). [SOURCE: <a href="https://www.discogs.com/master/643826-The-Games-Circus-Minimus" target="_blank">DISCOGS</a>]</div><div style="text-align: center;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/-yOtDQrQUJQ?si=EstV0u4KimXMKY1s" title="YouTube video player" width="560"></iframe><br /> </div><div style="text-align: justify;"><b>Label:</b> Open Eye Records – OE 007 </div><div style="text-align: justify;"><b>Format: </b>
Vinyl, 7" </div><div style="text-align: justify;"><b>Country:</b> UK </div><div style="text-align: justify;"><b>Released:</b> 1982 </div><div style="text-align: justify;"><b>Style:</b> New Wave, Synth-pop, Minimal, Minimal Wave, Minimal Synth<br /></div><div style="text-align: justify;"> </div><div style="text-align: justify;"><b>Tracklist: </b> <br /></div><div style="text-align: justify;">A Dance This Way </div><div style="text-align: justify;">B Love Canal </div><div style="text-align: justify;"> </div><div style="text-align: justify;">DOWNLOAD <a href="https://www.mediafire.com/file/rbkra2r5v2p41fv/Games+-+Dance+This+Way+[7'']+(1982,+Open+Eye).rar/file" target="_blank">HERE</a>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-42997816553875164192024-02-17T09:29:00.006+01:002024-02-17T09:29:57.598+01:00Faith. No More. – Faith. No More. [Cass] (1983, Not On Label)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbA-SBLjqQeyyI2QTRmSGVWZicB1xh8QRbZpWseldd8umIZjMGUztyH2viAa5TzyqXNe7yjbbzOaruS9Tf-2mvnEUQ54IDGckgAzk9QkJrDfOLHUeOBhEX8ghvJhWjpe9T5ISjT5mgGsa9hU9eJX0Dzgx332ufHoOur79dfsPwuLvbh2c5b7rs_P_V5ya5/s647/R-6965478-1573861273-1617.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="647" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbA-SBLjqQeyyI2QTRmSGVWZicB1xh8QRbZpWseldd8umIZjMGUztyH2viAa5TzyqXNe7yjbbzOaruS9Tf-2mvnEUQ54IDGckgAzk9QkJrDfOLHUeOBhEX8ghvJhWjpe9T5ISjT5mgGsa9hU9eJX0Dzgx332ufHoOur79dfsPwuLvbh2c5b7rs_P_V5ya5/s16000/R-6965478-1573861273-1617.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_sJH6GjIjaXdeo13UEBOza6Q34gXUgi7_amEuz5VwkwWZurdylyBdH2gWN8NSvryDZEZVdLc4DjQ_mVQiVpG5CF_lk061Lf-_WTrUE6N1NHFCPCCYtcrjOrV6CQIUXrM7rLNYYbEcmASekFFPOkikXVPRykN5eMz3xygBWdlNaf5OuOenAGlNOGKQjCFV/s656/R-6965478-1573861278-7866.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="656" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_sJH6GjIjaXdeo13UEBOza6Q34gXUgi7_amEuz5VwkwWZurdylyBdH2gWN8NSvryDZEZVdLc4DjQ_mVQiVpG5CF_lk061Lf-_WTrUE6N1NHFCPCCYtcrjOrV6CQIUXrM7rLNYYbEcmASekFFPOkikXVPRykN5eMz3xygBWdlNaf5OuOenAGlNOGKQjCFV/s16000/R-6965478-1573861278-7866.jpg" /></a></div><div style="text-align: justify;">
<span style="font-size: small;">The first <b><a href="http://thecommercialzone.blogspot.com/2019/02/faith-no-more.html" target="_blank">Faith No More</a></b> demo, released under the stylized name of '<i>Faith. No More.</i>'. The A-side features a recording of their first concert on October 11th of 1983 at On Broadway in San Francisco, California. The B-side features the first song that the band ever wrote and recorded after <b>Mike Morris</b>, vocalist and guitarist in <b><a href="http://commercialrecords.blogspot.com/2023/11/faith-no-man-quiet-in-heaven-song-of.html" target="_blank">Faith. No Man.</a></b>, was out of the picture. The songs featured on the A-side were written after the song featured on the B-side. This demo tape is believed to be limited to about 200 copies, though an exact amount is unknown as the copies were photocopied and dubbed by the band as needed. [SOURCE: <a href="https://www.discogs.com/release/6965478-Faith-No-More-Faith-No-More" target="_blank">DISCOGS</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/xN3BkNuZY8U?si=157qVOKc-FGmWGrq" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Not On Label (<b>Faith No More</b> Self-released) – none </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Cassette </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> US </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1983 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Alternative Rock, New Wave, Post-Punk </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 Intro 2:10 </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 The Jungle 3:07 </span></div><div style="text-align: justify;"><span style="font-size: small;">A3 Why Do You Bother? 5:01 </span></div><div style="text-align: justify;"><span style="font-size: small;">A4 FST 5:53 </span></div><div style="text-align: justify;"><span style="font-size: small;">A5 Spirit 4:51 </span></div><div style="text-align: justify;"><span style="font-size: small;">B New Love, Same Neuroses; New Hairstyles, Same Minds 20:51 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/thft7bcjbs22eai/Faith.+No+More.+-+Faith.+No+More.+[Cass]+(1983,+Not+On+Label+(Faith+No+More+Self-released)).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-21073236072720804402024-02-11T11:19:00.000+01:002024-02-11T11:19:22.008+01:00Europeans – Europeans / Voices [7''] (1978, Heartbeat Records)<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidt6d4Lczuvc6hnFAcCIlrsfADteVwLK8R1fJwsmbwW_4qRYVWpoG_Xx5DxT4_yyU8nw816lWgE8yzF5RDxMuUybyBlh1RgTSYrEJA5vd0gGVQ2Sfcnw9O16CgOfIFc4VDsn1vJ68APZk6b6xazhYVnEc48qmlR2NPQYP88xoU0ld_GQPrx9z7lz0edLc_/s500/R-1777750-1268258994.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidt6d4Lczuvc6hnFAcCIlrsfADteVwLK8R1fJwsmbwW_4qRYVWpoG_Xx5DxT4_yyU8nw816lWgE8yzF5RDxMuUybyBlh1RgTSYrEJA5vd0gGVQ2Sfcnw9O16CgOfIFc4VDsn1vJ68APZk6b6xazhYVnEc48qmlR2NPQYP88xoU0ld_GQPrx9z7lz0edLc_/s16000/R-1777750-1268258994.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRjNcUH2Ye7uTU564rXMyb5VkKQ-lReswEJkXP8SAXftEF2nCBOn5keoNO6k_AHaqje-fMuBnoPQcbSwp2EU4cNOyBwikACewPvZrqnafuLfrGoaYNKKhXnQ9nR4CYtAVBEPlSQtketcXcr5BLwIeQTHPa6b9N3AlSp48ocHJ1qkuNdbrOsEtfzM0msdFH/s500/R-1777750-1458263562-9708.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRjNcUH2Ye7uTU564rXMyb5VkKQ-lReswEJkXP8SAXftEF2nCBOn5keoNO6k_AHaqje-fMuBnoPQcbSwp2EU4cNOyBwikACewPvZrqnafuLfrGoaYNKKhXnQ9nR4CYtAVBEPlSQtketcXcr5BLwIeQTHPa6b9N3AlSp48ocHJ1qkuNdbrOsEtfzM0msdFH/s16000/R-1777750-1458263562-9708.jpg" /></a></div>
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<span style="font-size: small;"><b>Europeans</b> was a New Wave band formed in Bristol in 1977 and split in 1979. Their sound reminsds a bit of early <b><a href="http://thecommercialzone.blogspot.com/2022/09/ultravox.html" target="_blank">Ultravox</a></b>, with faint impressions of <b>Gary Numan</b> on the synths.
Members were <b>Jonathan Cole</b> (vocals, guitar and synthesizers) and <b>James Cole (</b>drums).
This group should not be confused with the similarly named <b><a href="http://commercialrecords.blogspot.com/2023/11/europeans-vocabulary-lp-1983-records.html" target="_blank">Europeans</a></b>, another British new wave band formed in 1981 and disbanded in 1985.</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Jon Klein</b> was co-founder of the London based club "Batcave" and guitar for <b><a href="http://thecommercialzone.blogspot.com/2016/06/siouxsie-and-banshees.html" target="_blank">Siouxsie & The
Banshees</a></b> and <b><a href="http://thecommercialzone.blogspot.com/2022/03/specimen.html" target="_blank">Specimen</a></b>. Bassist </span><span style="font-size: small;"><b>Steve Street</b> began his career in
1976 on the Bristol music scene by recording demos for <b><a href="http://thecommercialzone.blogspot.com/2016/06/the-pop-group.html" target="_blank">The Pop Group</a></b>,
and later in 1978-79 for <b><a href="http://thecommercialzone.blogspot.com/2018/02/glaxo-babies.html" target="_blank">Glaxo Babies</a></b>. In 1978 he helped form the <b>Europeans</b>, which only released this single before the
band broke up in 1979. Since then he has produced and worked on a wide
array of artists including
<b><a href="https://thecommercialzone.blogspot.com/2016/10/the-blue-aeroplanes.html" target="_blank">The Blue Aeroplanes</a></b>, <b>Electric Guitars</b>, <b>Essential Bop</b>, <b>Vice Squad</b>, <b>Fear
of Darkness</b>, <b>Love Jungle</b>, <b>Tears For Fears</b>, <b>Matt Johnston</b> (<b><a href="https://thecommercialzone.blogspot.com/2015/11/the-the.html" target="_blank">The The</a></b>), <b>Ric
Ocasek</b> (<b>The Cars</b>), <b><a href="https://thecommercialzone.blogspot.com/2016/02/green-on-red.html" target="_blank">Green On Red</a></b>, <b>Billy Mackenzie</b> (<b><a href="https://thecommercialzone.blogspot.com/2016/09/the-associates.html" target="_blank">The Associates</a></b>),
<b>Chris Hughes</b>, <b><a href="https://thecommercialzone.blogspot.com/2024/01/daniel-lanois.html" target="_blank">Daniel Lanois</a></b>, <b>Mick Glossop</b> and <b>Mike Mansfield</b>.
He currently works for Sugar Shack Records Ltd. and its' subsidiary
Bristol Archive Records, which re-releases music mainly from Bristol
bands associated with the 1970/80s punk and new wave era.
</span><span style="font-size: small;"> </span><span style="font-size: small;"></span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/RyPzzWeQrXk?si=FlUCcayMj8q8-LZP" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Heartbeat Records – Pulse 2 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 7", Single </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1978 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> New Wave, Synth-pop </span></div><div style="text-align: justify;"><b><span style="font-size: small;"> </span></b></div><div style="text-align: justify;"><b><span style="font-size: small;">Tracklist: <br /></span></b></div><div style="text-align: justify;"><span style="font-size: small;"><i>Western </i></span></div><div style="text-align: justify;"><span style="font-size: small;">A Europeans 3:59 </span></div><div style="text-align: justify;"><span style="font-size: small;"><i>Eastern </i></span></div><div style="text-align: justify;"><span style="font-size: small;">B Voices 3:59 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/povr0hqa4w2kfhq/Europeans+(2)+-+Europeans+++Voices+[7'']+(1978,+Heartbeat).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-8718944767613368272024-02-10T12:39:00.001+01:002024-02-10T12:39:22.971+01:00Doc Corbin Dart – Black Tuesday [Cass] (1991, Not On Label)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJuGB5OodDk9w7hcGUS0zlP_p6Y9YHG6z8dCk72rRZwL4feV5trqwEhLs5P_ufIGgdZ762Xkget7ld6UtXAXG4SO8mkxpcgCJY4OUCcV1vEY2J51c-nLEg1REk3PqtVdVTL3HAMIh_oRR6HJUyNr8ifmTbENWbOXzYZH3TOxzXj_jdiVd6CL2qChuWI9J2/s500/7568766.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJuGB5OodDk9w7hcGUS0zlP_p6Y9YHG6z8dCk72rRZwL4feV5trqwEhLs5P_ufIGgdZ762Xkget7ld6UtXAXG4SO8mkxpcgCJY4OUCcV1vEY2J51c-nLEg1REk3PqtVdVTL3HAMIh_oRR6HJUyNr8ifmTbENWbOXzYZH3TOxzXj_jdiVd6CL2qChuWI9J2/s16000/7568766.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcYP1Raj0doQ3d0rSvq9XOAqqIjw-Hfv1cjp-wW3sSE4fJvqHvn-yrh92OlitdHhHKQrtxnMr25SEf79NBoEP5yXEluu7Fm0jnucqkdMQCr816P8IB_ATY7KGSg7JYr8ScUJ2V_Mns3QZvANOoywFYbBoZZJ3HhtOnu4qqbeW4vp-4YFhxDY_M52FHIa-/s500/R-4927498-1647832089-2377.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="393" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcYP1Raj0doQ3d0rSvq9XOAqqIjw-Hfv1cjp-wW3sSE4fJvqHvn-yrh92OlitdHhHKQrtxnMr25SEf79NBoEP5yXEluu7Fm0jnucqkdMQCr816P8IB_ATY7KGSg7JYr8ScUJ2V_Mns3QZvANOoywFYbBoZZJ3HhtOnu4qqbeW4vp-4YFhxDY_M52FHIa-/s16000/R-4927498-1647832089-2377.jpg" /></a></div>
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<span style="font-size: small;"><b>Doc Corbin Dart</b> is a musician from Lansing, MI, born March 16, 1953. He is best known as the vocalist for the punk rock band <b><a href="http://thecommercialzone.blogspot.com/2018/06/the-crucifucks.html" target="_blank">The Crucifucks</a></b>, whom he fronted from 1981 until 1989 and again from 1996 until 1998. His lyrics are extremely anti-authoritarian and confrontational and the police, the US government, and Christianity are frequently his targets. He released his first solo album, '<i>Patricia</i>' (named after his therapist), in 1990. </span></div><div style="text-align: justify;"><span style="font-size: small;"><br />
After <b>The Crucifucks</b> demise at the end of the 1980s, <b>Dart</b> opened a baseball card store and ran for mayor of Lansing, MI. He did not win but pledged his support to Lansing's incumbent mayor on the condition that the mayor build a rape crisis center (which <b>Dart</b> had pledged to do if he won) in Lansing (the incumbent won and built the crisis center after the election).</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
Years later, <b>Dart</b> began calling himself "<b>26</b>" and released an album under that name in 2004. <b>Doc</b> once gave up on swear words and refused to say his old band's name, but this attitude has since gone away. <b>Dart </b>has a mostly negative opinion on the first <b>Crucifucks</b> LP, referring to it as a "spoken word album with a little noise in the background". [SOURCE: <a href="https://www.discogs.com/artist/1309900-Doc-Corbin-Dart" target="_blank">DISCOGS</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/htS0S5xmKNk?si=feKX1eZghSszkrj-" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label: </b>Not On Label (Doc Corbin Dart Self-released) – none </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Cassette, Limited Edition </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> US </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1991 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Alternative Rock, Folk Rock, Psychedelic Rock, Singer-Songwriter, Jangle Pop <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 The One Who Loves You Part 1 4:49 </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 The One Who Loves You Part 2 1:28 </span></div><div style="text-align: justify;"><span style="font-size: small;">A3 The Day I Got Back From Madison 3:28 </span></div><div style="text-align: justify;"><span style="font-size: small;">A4 Clock Without Hands 6:08 </span></div><div style="text-align: justify;"><span style="font-size: small;">A5 Caroline 5:47 </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Debbie 3:16 </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 I Can't Handle It 5:45 </span></div><div style="text-align: justify;"><span style="font-size: small;">B3 Black Tuesday 3:18 </span></div><div style="text-align: justify;"><span style="font-size: small;">B4 Autumn 4:59 </span></div><div style="text-align: justify;"><span style="font-size: small;">B5 Not So Far Away 3:00 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">Self-released cassette of <b>Doc Dart</b>'s second album, limited to only and handful of copies and not available to the general public. </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/kgk3euqvjy4xi56/Doc+Corbin+Dart+-+Black+Tuesday+[Cass]+(1991,+Not+On+Label).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-91226326294526768632024-02-04T12:11:00.000+01:002024-02-04T12:11:12.111+01:00Claustrofobia – Arrebato (Música Per A Vetllades D'Intriga) [LP] (1984, Wilde Rekords)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiUc0CLZP2HlhfgoHIBggD-ZdUaGOlv04_G8AKIl1mf3uLSFUIxVYqeuJdfV54M-QuWUqnM0tdbLVhKpqeCikX7hspCp_fLQerkg4nUeAXoZ0iEd7Lqey5ZXdwAVYxEnSwplfhQkb71SJPH1UyaeA6ndOEwDQEReP0WZkGdNqx8iGt3kfj5JET3lxY4y0_/s500/R-1366529-1530278285-6511.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiUc0CLZP2HlhfgoHIBggD-ZdUaGOlv04_G8AKIl1mf3uLSFUIxVYqeuJdfV54M-QuWUqnM0tdbLVhKpqeCikX7hspCp_fLQerkg4nUeAXoZ0iEd7Lqey5ZXdwAVYxEnSwplfhQkb71SJPH1UyaeA6ndOEwDQEReP0WZkGdNqx8iGt3kfj5JET3lxY4y0_/s16000/R-1366529-1530278285-6511.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7KXW8YSS_Pb0gt4zmgJ1jDZ0HQpnYdwAjEeDBsfMPxHF2yMWkSc4aVfpaKDYeCFfnXuR4mqAC3xhM8Xg0CqtNrEBnINCZsoUcbMZdCxUQrpSoaGdcdBMtMk4sVNuJuuhrqHAf9sytPyE4UVtOAv5SwGsnZRFIwoXlmxpxb1HlMeod31O5j-XX57KeAZnH/s500/R-1366529-1530278285-8264.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7KXW8YSS_Pb0gt4zmgJ1jDZ0HQpnYdwAjEeDBsfMPxHF2yMWkSc4aVfpaKDYeCFfnXuR4mqAC3xhM8Xg0CqtNrEBnINCZsoUcbMZdCxUQrpSoaGdcdBMtMk4sVNuJuuhrqHAf9sytPyE4UVtOAv5SwGsnZRFIwoXlmxpxb1HlMeod31O5j-XX57KeAZnH/s16000/R-1366529-1530278285-8264.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><b><a href="http://thecommercialzone.blogspot.com/2017/06/claustrofobia.html">Claustrofobia</a></b>, from Spain, presented an arty and theatrical synth-pop, similar to <b>Kan Kan</b> or <b><a href="http://thecommercialzone.blogspot.com/2016/09/artery.html" target="_blank">Artery</a></b>, typified by "La Espia Que Me Amo", further enhanced with traditional flamenco guitars in "Sueños De Donna". "Sombras En La Alcoba" navigated towards a mixture of dark-wave and the noir soundtrack-theme, while "Amor Sensible" was even more eclectic, a blend of disco beats, ambient spooks, incantations, and a middle-eastern chorus. Eclecticism isn't a panacea though, and it's only till "Rapsodia Bajo El Volga" that we encounter a real highlight, a ghostly and cursed piano theme, accompanied by a dejected vocal delivery and desolate sound-effects. All the while, "Lagrimas Por Un Bolero" was their most violent moment, but again behind the paroxysmal wall of synthesizers and guitars lay a fondness for the traditional Spanish ballad. [SOURCE: <a href="https://rateyourmusic.com/release/album/claustrofobia/arrebato-musica-per-a-vetllades-dintriga/" target="_blank">RATE YOUR MUSIC</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/lgnd1-skTGU?si=ZjxuLG87BSjMXryt" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Wilde Rekords – WR-004 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Vinyl, LP, Mini-Album </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Spain </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1984 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Synth-pop, Minimal, Darkwave, New Wave, Minimal Synth, Post-Punk, Krautrock<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist:</b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 La Espia Que Me Amo 3:20 </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 Sueños De Donna 1:30 </span></div><div style="text-align: justify;"><span style="font-size: small;">A3 Sombras En La Alcoba 3:00 </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Amor Sensible 3:13 </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Rapsodia Bajo El Volga 4:40 </span></div><div style="text-align: justify;"><span style="font-size: small;">B3 Paris Nostalgic (Tango) 5:30 </span></div><div style="text-align: justify;"><span style="font-size: small;">B4 Lagrimas Por Un Bolero 6:15 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">"Rapsodia Bajo El Volga", "Paris Nostalgic" and "Lágrimas Por Un Bolero" recorded live at Sala Metro, Barcelona, in a 4-track Fostex. </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/ukq0f5v9wxnt5ic/Claustrofobia+-+Arrebato+(Música+Per+A+Vetllades+D'Intriga)+(1984,+Wilde+Rekords).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-85196274300115096542024-02-03T09:09:00.006+01:002024-02-03T09:09:54.840+01:00Bp. Service – Bp. Service [Cass] (1990, Weast CMC Agency)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisfluzkDfPBfBtTT3lHguNxsmiX1rgXASk1K0LpZUeK47gZvK_wcuwuehLiFP-OAIHLfWTI83rou8aiLq3yO9ZC-MatFHe1e4KDbbMe9__P2N_czE9Vm4lqTMtB8fe0PODSD3YM4czcn195-c6bN_73ZAMC8rVX3S4fgnR427qVoMM23S1iD_LF17Rj1mD/s500/R-4278711-1455196692-2783.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="474" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisfluzkDfPBfBtTT3lHguNxsmiX1rgXASk1K0LpZUeK47gZvK_wcuwuehLiFP-OAIHLfWTI83rou8aiLq3yO9ZC-MatFHe1e4KDbbMe9__P2N_czE9Vm4lqTMtB8fe0PODSD3YM4czcn195-c6bN_73ZAMC8rVX3S4fgnR427qVoMM23S1iD_LF17Rj1mD/s16000/R-4278711-1455196692-2783.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3nKf-VibEh9WG9on6uKTVdZnNknpo1dgzX4YpEc3F8e3iwXgKRj0y37IRo2PNgHlh66F4EYaiRqqHJApDbr2zzN1bn8wj1okU7KBTs73qsVVWk_bKJ_MWoW9_bGvUVwGcR-yzNHZuW4T27A49O19bqtT9Kyc7iN01XL3Ph4NRG1eYEtdGJVtMwlUzLYfk/s500/R-4278711-1455196701-1508.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="313" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3nKf-VibEh9WG9on6uKTVdZnNknpo1dgzX4YpEc3F8e3iwXgKRj0y37IRo2PNgHlh66F4EYaiRqqHJApDbr2zzN1bn8wj1okU7KBTs73qsVVWk_bKJ_MWoW9_bGvUVwGcR-yzNHZuW4T27A49O19bqtT9Kyc7iN01XL3Ph4NRG1eYEtdGJVtMwlUzLYfk/s16000/R-4278711-1455196701-1508.jpg" /></a></div>
<div style="text-align: justify;"><span style="font-size: small;"><b>BP. Service</b> was one of Hungary's important industrial music groups. Industrial music in Hungary did exist behind the iron curtain in the 80's but in very marginal forms. Some of the bands are <b>Art Deco</b>, <b>CMC</b> and <b>Falatra(x)</b>. Basically it was not until the early nineties that industrial groups could publish their music regularly in Hungary and that also more groups started to exist.</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span><br /><span style="font-size: small;">
<b>BP. Service</b> consisted of <b>Szabó György</b>, <b>Kósa Vince</b> and <b>Orbán Balázs</b>. <b>Szabo György</b> is subsequently known for his graphic design and creating many of the posters for underground concerts in Budapest before the fall of the iron curtain. Lately those posters have received renewed attention and have been compiled in a book. <b>Kósa Vince</b> was also the founder of the group <b>Art Deco</b> and can be considered as one of the pioneers of Industrial music in Hungary.</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span><br /><span style="font-size: small;">
This cassette that came out in 1990 contains two lengthy tracks of classic industrial sounds. It conceptually takes on the big city or metropole (in this case Budapest) as a place of noise where traffic, construction, dirt, automation and industry are part of the daily urban environment. A concept that can be seen often in this particular vein of industrial music, tracing back most notably to Berlin's finest <b><a href="http://thecommercialzone.blogspot.com/2015/07/einsturzende-neubauten.html" target="_blank">Einstürzende Neubauten</a></b>, but of course there are numerous examples. The music contains bleak Hungarian lyrics, sound-manipulations and the use of metal and other physical materials that are being used rhythmically. [SOURCE: <a href="https://archaicinventions.blogspot.com/2018/08/bp-service-same-1990-tape-weast-cmc.html" target="_blank">ARCHAIC INVENTIONS</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> </span><br /><span style="font-size: small;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/-Gq5v4wyPpY?si=PGCJQ7VoIxx-08w_" title="YouTube video player" width="560"></iframe>
</span><br /><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Weast CMC Agency – none </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Cassette, Album, C30 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Hungary </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1990 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style: </b>Industrial, Post-Punk, Experimental <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist:</b></span></div><div style="text-align: justify;"><span style="font-size: small;">B Untitled </span></div><div style="text-align: justify;"><span style="font-size: small;">C Untitled </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">No track-titles listed. Sides are labeled "B" and "C" instead of "A" and "B". </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/9rlvn7kj9bt7sj2/Bp.+Service+-+Bp.+Service+[Cass]+(1990,+Weast+CMC+Agency).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-44618839296758787662024-01-28T08:59:00.002+01:002024-01-28T08:59:32.767+01:00Andréa Daltro – Kiuá [LP] (1988, Estúdio De Invenções)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_-T_jIaaa27oGdU9UtAFNbzrdIsGgv7MaajV4oa4cigPs9oIh32huYMqndRUeiZcwG6nBp8tuORVNlgPyQZASmGGX0mittFH25eQdR9QQkzueteCIj5xNVgOxbEGRLumcYhUotaUrSnmXsvehqVO9vqgq1heZs5Ttpm3elOyP8VqCVgwi_q3sMJ1IzYeH/s505/R-8542632-1466487020-5235.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="505" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_-T_jIaaa27oGdU9UtAFNbzrdIsGgv7MaajV4oa4cigPs9oIh32huYMqndRUeiZcwG6nBp8tuORVNlgPyQZASmGGX0mittFH25eQdR9QQkzueteCIj5xNVgOxbEGRLumcYhUotaUrSnmXsvehqVO9vqgq1heZs5Ttpm3elOyP8VqCVgwi_q3sMJ1IzYeH/s16000/R-8542632-1466487020-5235.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3FXwK1bPok1hOlZCCab6Wo8jyUnTGsS935Q7t2wgCBDxZ8h-_SKdZURUBhftlM1Gn7PnZj0HgzEdvoMPyT0Ju4sLC2TbhfqBMnUE7yp5qLU-H-CMksX3gk9Qfto9XZlQVq1Dh_uAkOo3tW3X2yfKEueySqP0FJk86eOnyaIcms5z5__raVl51NZt3tu4X/s500/R-8542632-1468777748-6683.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3FXwK1bPok1hOlZCCab6Wo8jyUnTGsS935Q7t2wgCBDxZ8h-_SKdZURUBhftlM1Gn7PnZj0HgzEdvoMPyT0Ju4sLC2TbhfqBMnUE7yp5qLU-H-CMksX3gk9Qfto9XZlQVq1Dh_uAkOo3tW3X2yfKEueySqP0FJk86eOnyaIcms5z5__raVl51NZt3tu4X/s16000/R-8542632-1468777748-6683.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;">Certainly, this is one of the most wanted brazilian records of the last times. A record that hides mysteries and many meanings and that gained its notoriety after the song "Kiuá" was used in the brilliant compilation called '<i>Outro Tempo</i>' of Music From Memory.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
<b>Andreá Daltro</b> studied popular, instrumental and erudite music for about 20 years and sings since 1971. Around 1979, the first version of '<i>Kiuá</i>' was made for the percussion group of the Federal University of Bahia, using marimba, xylophone, among other percussive instruments, as well as guitar. With regency of the teacher <b>Ernest Widmer</b>. This presentation was made at the college rectory. </span></div><div style="text-align: justify;"><span style="font-size: small;"><br />
It is at this point that <b>Andreá Daltro</b> has his first connection with '<i>Kiuá</i>', which would later become a classic through his voice. Curiously, the music score was lost and <b>Andréa</b> had to sing in court, and only had three rehearsals to improve her vocal extension in the song. At that moment the score of the song "strolled" by<b> Andrea</b>'s imagination. It was a moment of strong impact for her. She managed to sing without making a mistake, even though she had rehearsed only three times. From this moment, <b>Andréa</b> begins to sing contemporary songs with vocal effects, which, according to her, were very lovely and memorable experiences.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
In 1988, <b>Andréa</b> decided to launch his solo record, without financial resources and independently. She took out a bank loan to realize that dream, and never had any financial returns from that record, believe me. And he decided to make a new version of '<i>Kiuá</i>', with use of DX7 synth and roland 606 electronic drums,different from the previous version (<b>Sexteto do Beco</b>), which was more acoustic. The record was recorded in three days.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
The group of Bahia jazz called <b>Grupo Garagem</b>, very influenced by the musical aesthetics of <b>Sexteto</b> and the importance of the group in the musical scene in the State of Bahia, plays the record along with <b>Andrea</b>. The group consisted of <b>Roberto Monsalve</b> (synths),<b> Ivan Basto</b> (bass), <b>Ivan Houl</b> (drums), <b>Roninho</b> (sax) and an old friend of <b>Andreá</b> on guitar, <b>Mou Brasil</b>, in addition to former musical partners <b>Sérgio Souto</b> and <b>Paulo Andrade</b>.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
The track "Kiuá" is incredible and has been very run on dance floors from around the world. However, there are other awesome tracks in the LP: "Ponte Aérea" and "Flutuando"are just two examples. Indeed, the track "Flutuando" is instrumental in the record by <b>Sexteto do Beco</b>. In this solo album of <b>Andréa</b> this song won an excellent vocalized version.</span></div><div style="text-align: justify;"><span style="font-size: small;"> <br />
<b>Andréa</b> released this record in December 1988 and since then had never played that repertoire live. Only one thousand copies were pressed and the record was not distributed in Brazil, it was restricted to the city of Salvador. That's why it's so hard to find. She sang '<i>Kiuá</i>' for the first time, thirty years later, last Saturday at the Dekmantel festival, in São Paulo. She participated in the Maria Rita (Stumpf) show. [SOURCE: <a href="https://www.discogs.com/release/8542632-Andr%C3%A9a-Daltro-Kiu%C3%A1" target="_blank">DISCOGS</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/-trjkOld-G0?si=2HVRJq-tL_XjpkCl" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Estúdio De Invenções – EI-014 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Vinyl, LP, Album </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Brazil </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1988 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Soul-Jazz, Experimental, Vocal Jazz, Avant-Garde Jazz, Samba Jazz <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist:</b> <br /></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 Ponte Aérea </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 Flutuando </span></div><div style="text-align: justify;"><span style="font-size: small;">A3 A Estrela </span></div><div style="text-align: justify;"><span style="font-size: small;">A4 Bolero </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Odara </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Só </span></div><div style="text-align: justify;"><span style="font-size: small;">B3 Kiuá </span></div><div style="text-align: justify;"><span style="font-size: small;">B4 Valsa Pro Sec. XXI </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/c0b0ze2sjivhr4i/Andréa+Daltro+-+Kiuá+(1988,+Estúdio+de+Invenções).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-33845584123882434112024-01-27T09:41:00.000+01:002024-01-27T09:41:04.691+01:00→ ↑ → – Venitian Rendezvous [7''] (1979, Innocent)<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFaAVAg_RNxZBWh5tK8CsAlpjv-vWHSBakZmdz4h7y-Lgz6tFduMrBN0GmXCGnhDZaG_fTnChejUx_7pPFcprIT9oElB2BS6Pa02vJCXoVLuPyxDjGBozJfrIPtGHQaQsPDtx9Emp04UXPO_V7AaK9b3omyVvADJio6JyjyHv6a7mNWqbuoXQVQp3xZWBX/s500/R-3859521-1347179519-2336.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFaAVAg_RNxZBWh5tK8CsAlpjv-vWHSBakZmdz4h7y-Lgz6tFduMrBN0GmXCGnhDZaG_fTnChejUx_7pPFcprIT9oElB2BS6Pa02vJCXoVLuPyxDjGBozJfrIPtGHQaQsPDtx9Emp04UXPO_V7AaK9b3omyVvADJio6JyjyHv6a7mNWqbuoXQVQp3xZWBX/s16000/R-3859521-1347179519-2336.jpg" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwq3xkfR2AxICTF6JwCZO-64a-yUD2QQFrZWQ5TNzYiFhyphenhyphenFxnVKISWoUq4lJehIaRxmp0Qd99yLL7RkpwlUym4mIpBxNpZTblok4Jq5HORUHHVcf5-sV5RU9ePIeRl51w3ik4jCpUwWTm_lSwz787ffY2YggqHU8wf-peLEH7GIXfyKr7oghxXtKxgpQCK/s500/R-3859521-1347179560-8438.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwq3xkfR2AxICTF6JwCZO-64a-yUD2QQFrZWQ5TNzYiFhyphenhyphenFxnVKISWoUq4lJehIaRxmp0Qd99yLL7RkpwlUym4mIpBxNpZTblok4Jq5HORUHHVcf5-sV5RU9ePIeRl51w3ik4jCpUwWTm_lSwz787ffY2YggqHU8wf-peLEH7GIXfyKr7oghxXtKxgpQCK/s16000/R-3859521-1347179560-8438.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;">'<i>Venitian Rendezvous</i>' was a live <b><a href="http://thecommercialzone.blogspot.com/2018/07/blog-post.html" target="_blank">→ ↑ →</a></b> project. Focused on notions of the industrialization of Muzak, the sociological radiophonics of Easy Listening and the aesthetic categorization of 'beautiful music', the project saw <b>→ ↑ →</b> live the dream of such ideals by becoming a respectable, suited, tamed and innocuous ensemble playing suitably neutered music. In the face of Minimalism's increasing chauvinism and Punk's escalating heroicism, '<i>Venitian Rendezvous</i>' was the sound of bland conservatism musicalised. It dived deep into the Muzak ethos wherein identity was denounced. For <b>→ ↑ →</b>, Muzak's emotive/expressive lack was a populist keystone for imaging art that moved beyond humancentric foibles. </span></div><div style="text-align: justify;"><span style="font-size: small;"><br />
Some of the songs were initially developed for the '<i><a href="http://commercialrecords.blogspot.com/2018/10/caprice-7-1980.html" target="_blank">Caprice</a></i>' project; other songs also appeared in the more severe Minimalism set. Live performances of '<i>Venitian Rendezvous</i>' entailed the quartet dressed in sober yet colourful unstylish office worker suits-and-ties. The music was correspondingly tasteful. The only cover version was what composer <b>Philip Brophy</b> thought had to be the most innocuous and facile 'evergreen' at that moment in the late 70s: <b>The Beatles</b>' "Hey Jude". All the song titles were in Italian (courtesy of key <b>→ ↑ →</b> members <b>Ralph Traviato</b> and <b>Anthony Montemurro</b>). The second edition of '<i>Venetian Rendezvous</i>' was a repress released in May 31, 1979
in an edition of 500 with a different cover. [SOURCE: <a href="https://www.philipbrophy.com/projects/venitianrendezvous/info.html" target="_blank">PHILIP BROPHY</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/LJUVIwlZad8?si=ZXAC-T4Ck_yBQspt" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Innocent – none </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Vinyl, 7", 33 ⅓ RPM, EP, White Label </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Australia </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> Apr 12, 1979 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> New Wave, Art Rock, Minimal, Experimental, Minimal Wave <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 Lampadina </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 Pallini </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Sportelio </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Canzona Di Una Notta </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">There are no catalogue numbers for Innocent releases #1-5+7. This is the 1st label release according to official Innocent 1981 Catalogue:
*(7" 33⅓ EP) ed:300 rel:12.4.79 </span></div><div style="text-align: justify;"><span style="font-size: small;">"Four songs that recreate the enigma of Muzak. Music in the seductive (sic) vein." </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">Liner notes: </span></div><div style="text-align: justify;"><span style="font-size: small;">music for anything that goes anywhere </span></div><div style="text-align: justify;"><span style="font-size: small;">nothing music with nowhere to go. </span></div><div style="text-align: justify;"><span style="font-size: small;">complacent and seductive production by <b>John</b> & <b>Chris</b>. </span></div><div style="text-align: justify;"><span style="font-size: small;">recorded etc. February 79 </span></div><div style="text-align: justify;"><span style="font-size: small;">first performed Nov.78 </span></div><div style="text-align: justify;"><span style="font-size: small;">live performances available </span></div><div style="text-align: justify;"><span style="font-size: small;">N.B. all songs are abridged.</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/ay0ebcv4xw4kuov/→+↑+→+-+Venitian+Rendezvous+[7'']+(1979,+Innocent).rar/file" target="_blank">HERE</a> <br /></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-78978452007140232742024-01-21T09:25:00.002+01:002024-01-21T09:27:51.261+01:00Various – 4 Alternatives [7''] (1979, Heartbeat Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1vfxzTtdKh10BHvJ2skoCydqhs8S3Q7hOr-vtG0h1AKhg0rswS8pmCvDRcz3mxx7WW4Ny-k2E1JLTaDOLHjcHPmjCyNnQIpF6tY_Q3K763FjrROYGNMq2wwo4ipTAnPR0gfPiIM9G48ysTKfZ2C-927PPgxrsUUTc1YDtVKPffWiYwSSpg1HW50hLicC5/s500/R-1469005-1518885547-2057.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1vfxzTtdKh10BHvJ2skoCydqhs8S3Q7hOr-vtG0h1AKhg0rswS8pmCvDRcz3mxx7WW4Ny-k2E1JLTaDOLHjcHPmjCyNnQIpF6tY_Q3K763FjrROYGNMq2wwo4ipTAnPR0gfPiIM9G48ysTKfZ2C-927PPgxrsUUTc1YDtVKPffWiYwSSpg1HW50hLicC5/s16000/R-1469005-1518885547-2057.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjEs_TmuOOJTKMwfoql8UbiQcAlKG3X1kDJlMNxdKafPk4bSI4FmRCjNbH32kLSOiQs3MGwOXC-j7u3duNBF4XcqI3jNwFh3ihxwxWsHdFJAmNuA-DfsP27tVy4ypNRgQ3KsmWfU2YaziTznCug1thYN2BKilYmY4skM4JUUdL-w4absm179de-UqxYcg/s500/R-1469005-1518885551-6811.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjEs_TmuOOJTKMwfoql8UbiQcAlKG3X1kDJlMNxdKafPk4bSI4FmRCjNbH32kLSOiQs3MGwOXC-j7u3duNBF4XcqI3jNwFh3ihxwxWsHdFJAmNuA-DfsP27tVy4ypNRgQ3KsmWfU2YaziTznCug1thYN2BKilYmY4skM4JUUdL-w4absm179de-UqxYcg/s16000/R-1469005-1518885551-6811.jpg" /></a></div>
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<span style="font-size: small;">'<i>4 Alternatives</i>' is a sampler of the late '70s Bristol scene pre-dating '<i>Avon Calling</i>' featuring punk and new wave bands such <b>The Numbers</b>, <b><a href="http://thecommercialzone.blogspot.com/2022/07/the-x-certs.html" target="_blank">The X-Certs</a></b>, <b>Joe Public</b> and <b>48 Hours</b>, and released on Heartbeat Records, an independent label started in 1978, focusing mainly on promoting bands from the Bristol area. </span><span style="font-size: small;">This release exists with laminated sleeve and also with matt sleeve finish.</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/SSAXlN43cAQ?si=w2pn1FAB1PX3Ud5-" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Heartbeat Records – PULSE 4 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 7", EP, 45 RPM</span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> Jun 1979 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style: </b>New Wave, Punk Rock</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A1 <b>The Numbers</b> – Alternative Suicide
2:55 </span></div><div style="text-align: justify;"><span style="font-size: small;">A2 <b>The X-Certs</b> – Blue Movies
3:19 </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 <b>Joe Public</b> – Hotel Rooms
2:02 </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 <b>48 Hours</b> – Back To Ireland
3:44</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/kic855fw1ika6bh/4+Alternatives+[7'']+(1979,+Heartbeat).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-5998470857392632472024-01-20T19:39:00.005+01:002024-01-20T19:39:53.583+01:00Jon Rose – 'Featurisms' The Relative Violin [Cass] (1985, Fringe Benefit Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgshig4ituY3OKRKXUho_zQkTYc7z71lK6coWkr5k_eHfxa6lZ9QgtXxj4Gmw1X7Ve0KpIyN7C3vFIuWFQ0mzTw5c14MEXzBdHB691CY4Xlidg-DJ0filt5u5cSGTfTG0MQPSXtmLAhRT74-9bj-EmlZ6TQ4pbi_W7ySIy83kUhRHLu5_7dGX8M77E-O2cR/s500/R-2674763-1354897359-5051.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="310" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgshig4ituY3OKRKXUho_zQkTYc7z71lK6coWkr5k_eHfxa6lZ9QgtXxj4Gmw1X7Ve0KpIyN7C3vFIuWFQ0mzTw5c14MEXzBdHB691CY4Xlidg-DJ0filt5u5cSGTfTG0MQPSXtmLAhRT74-9bj-EmlZ6TQ4pbi_W7ySIy83kUhRHLu5_7dGX8M77E-O2cR/s16000/R-2674763-1354897359-5051.png" /></a></div>
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<span style="font-size: small;"><b>Jonathan Anthony Rose</b> (born 19 February 1951) is an Australian violinist, cellist, composer, and multimedia artist. <b>Rose</b>'s work is centered in the experimental music known as free improvisation, where he has created large environmental multimedia works, built experimental musical instruments, and improvised violin concertos with accompanying orchestra. He has been described by <b>Tony Mitchell</b> as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia". [SOURCE: <a href="https://en.wikipedia.org/wiki/Jon_Rose" target="_blank">WIKIPEDIA</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/tnfRWpfPeRI?si=qw_ILhri3JmDoPNn" title="YouTube video player" width="560"></iframe><br /></span></div><p></p><div style="text-align: left;"><span style="font-size: small;"><b>Label:</b> Fringe Benefit Records – FBR 52 </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Format: </b>
Cassette, Album </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Country:</b> Australia </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Released:</b> 1985 </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Style:</b> Experimental, Free Improvisation </span></div><div style="text-align: left;"><span style="font-size: small;"> </span></div><div style="text-align: left;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: left;"><span style="font-size: small;">A The Relative Violin (Side A) 47:01 </span></div><div style="text-align: left;"><span style="font-size: small;">B The Relative Violin (Side B) 46:46 </span></div><div style="text-align: left;"><span style="font-size: small;"> </span></div><div style="text-align: left;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/lcyi9nzeovojdbm/Jon+Rose+-+'Featurisms'+The+Relative+Violin+[Cass]+(1985,+Fringe+Benefit).rar/file" target="_blank">HERE</a></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-5598527454236870772024-01-14T09:07:00.005+01:002024-01-14T09:07:56.880+01:00Zeni Geva – Skullfuck Live [Cass] (1988, Nux Organization)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ6yLsRoZ9Xd4xWpmMbaQKLkoG5ujN2ZykgrCz75VOFVMJLby0Wj4_5lEq9zO-8FNNV2dbdXwC1m1RMJ_1Ni4w1D9TgjpjxN9U3n_CQKpM6f_aycvuRA6HStZxKz6TGdt9_w5_iLN9B-2fcHpQdJAlQpaVRccrgpPjxIRnXVyRgWUtHRLwK6jaYiXLK-wP/s500/R-1027854-1192265673.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="347" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ6yLsRoZ9Xd4xWpmMbaQKLkoG5ujN2ZykgrCz75VOFVMJLby0Wj4_5lEq9zO-8FNNV2dbdXwC1m1RMJ_1Ni4w1D9TgjpjxN9U3n_CQKpM6f_aycvuRA6HStZxKz6TGdt9_w5_iLN9B-2fcHpQdJAlQpaVRccrgpPjxIRnXVyRgWUtHRLwK6jaYiXLK-wP/s16000/R-1027854-1192265673.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnrw6jHGYB9ed-g5b9s8VtXXiouU5WvglPE1cYuvLajQkxOouc6Ivlp_1jV6hlxjmifF_s3l_QU7JJZ8CWEW7UAAjuyTwfviGgzBMHvtuNM-vfUNf-MWwsqc_hf7Ge30nLszqdaj7N2hYjACocEFIUbQNZVskgIWJSPpJANeSiKdpv_qu4SJVyKF9vWxOv/s500/R-1027854-1192265656.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="233" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnrw6jHGYB9ed-g5b9s8VtXXiouU5WvglPE1cYuvLajQkxOouc6Ivlp_1jV6hlxjmifF_s3l_QU7JJZ8CWEW7UAAjuyTwfviGgzBMHvtuNM-vfUNf-MWwsqc_hf7Ge30nLszqdaj7N2hYjACocEFIUbQNZVskgIWJSPpJANeSiKdpv_qu4SJVyKF9vWxOv/s16000/R-1027854-1192265656.jpg" /></a></div>
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One of Japan's more eccentric and intriguing extreme music exports of the late '80s and '90s, self-professed "progressive hardcore trio" <b><a href="http://thecommercialzone.blogspot.com/2022/12/zeni-geva.html" target="_blank">Zeni Geva</a></b> (their name derives from an ancient Japanese word for "money" and a corruption of the German "gewalt," or violence) forcibly fused elements of heavy metal, hardcore, industrial music, noise rock, and the avant-garde, gaining no small underground recognition in the process. </div><div style="text-align: justify;"><br />
Having already made a name for himself via several experimental outfits (<b>Absolut Null Punkt</b>, <b><a href="http://thecommercialzone.blogspot.com/2022/12/ybo.html" target="_blank">YBO2</a></b>) and collaborations with <b><a href="http://thecommercialzone.blogspot.com/2019/09/merzbow.html" target="_blank">Merzbow</a></b> earlier in the decade, vocalist, guitarist, and programmer <b><a href="http://thecommercialzone.blogspot.com/2023/01/kk-null.html" target="_blank">K.K. Null</a></b> (real name <b>Kazuyuki Kishino</b>) founded <b>Zeni Geva</b> in 1987, calling on guitarist <b>Fumiyoshi Suzuki</b> and drummer <b>Ikuo Taketani</b> to join him on debut album '<i><a href="http://commercialrecords.blogspot.com/2023/03/zeni-geva-how-to-kill-lp-1987-nux.html" target="_blank">How to Kill</a></i>', released on <b>Null</b>'s own NUX Organization label. Said album also featured a short-lived vocalist named <b>Elle</b> who was replaced by bassist <b>Bunsho Nishikawa</b> come 1988's amusingly named '<i>Vast Impotenz</i>' cassette EP, but he too would be gone by the release of 1990's watershed '<i>Maximum Money Monster</i>' LP, which brought industrial discipline to <b>Zeni Geva</b>'s savage sonic outbursts while introducing new guitarist <b>Mitsuru Tabata</b> (ex-<b><a href="http://thecommercialzone.blogspot.com/2017/01/boredoms.html" target="_blank">Boredoms</a></b>) and drummer <b>Tatsuya Yoshid</b>a, briefly borrowed from <b><a href="http://thecommercialzone.blogspot.com/2023/04/ruins.html" target="_blank">Ruins</a></b>. [SOURCE: <a href="https://www.allmusic.com/artist/zeni-geva-mn0000598667#biography" target="_blank">ALLMUSIC</a>]</div><div style="text-align: center;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/KyfjDL1mHHg?si=237QC3CK7uEhhFdJ" title="YouTube video player" width="560"></iframe><br /> </div><div style="text-align: justify;"><b>Label:</b> Nux Organization – NUX-14 </div><div style="text-align: justify;"><b>Format:
</b>Cassette, Album </div><div style="text-align: justify;"><b>Country:</b> Japan </div><div style="text-align: justify;"><b>Released:</b> 1988 </div><div style="text-align: justify;"><b>Style:</b> Noise Rock </div><div style="text-align: justify;"> </div><div style="text-align: justify;"><b>Tracklist: </b><br /></div><div style="text-align: justify;">A1 War Pig 6:11 </div><div style="text-align: justify;">A2 Dead Car, Sun Crash 5:51 </div><div style="text-align: justify;">A3 Slum King 9:05 </div><div style="text-align: justify;">B1 Godkill 11:41 </div><div style="text-align: justify;">B2 Dead Car, Sun Crash 6:50 </div><div style="text-align: justify;"> </div><div style="text-align: justify;"><b>Notes: </b><br /></div><div style="text-align: justify;">Recorded live at </div><div style="text-align: justify;">A) N.Y. Antiknock '88 Jan 16 </div><div style="text-align: justify;">B) Loft '88 Jan 18 </div><div style="text-align: justify;"> </div><div style="text-align: justify;">DOWNLOAD <a href="https://www.mediafire.com/file/kznejoylck7ok97/Zeni+Geva+-+Skullfuck+Live+[Cass]+(1987,+Nux+Organization).rar/file" target="_blank">HERE</a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-7781292305022049122024-01-13T08:30:00.000+01:002024-01-13T08:30:29.004+01:00The Young Lions – Small World [Cass] (1982, Amphibious Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ZCbR_kULLa5OdWbO9Z-uz-L2GcAE69Y7IlqkSS7Q5FC2ERM5PjpbsFX9ZShdYba3CE4xaH8OXa95SgDmitD753cm9_lKTksbQt580YgQidgqSp9pgZe-H2eMjDb_PvvBMZNZE_AAZJCgpM0qacvBMIdryacC5ekdtZ1M26qygbw1TGQi6oo9sy2YWoQE/s686/R-5470746-1468265160-6957.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ZCbR_kULLa5OdWbO9Z-uz-L2GcAE69Y7IlqkSS7Q5FC2ERM5PjpbsFX9ZShdYba3CE4xaH8OXa95SgDmitD753cm9_lKTksbQt580YgQidgqSp9pgZe-H2eMjDb_PvvBMZNZE_AAZJCgpM0qacvBMIdryacC5ekdtZ1M26qygbw1TGQi6oo9sy2YWoQE/s16000/R-5470746-1468265160-6957.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfu7cy-ypDZ0tvq_cMa8__mZuiYxpUWqyWo9uSS1WA_qGphS7CWDNn7TaunFimSvmRBMQfO-cR5OsXAllh_prvDA1wIaXwZUryaMoG8MAmECjvCvFwM04rYyaBdFPcHqghTUHgOnFbp8nrbOLpaz0ltts7WnjsTK83hkcoBu_vo6QW8A5WX4LFuvxdOWH8/s686/R-5470746-1468265168-5960.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfu7cy-ypDZ0tvq_cMa8__mZuiYxpUWqyWo9uSS1WA_qGphS7CWDNn7TaunFimSvmRBMQfO-cR5OsXAllh_prvDA1wIaXwZUryaMoG8MAmECjvCvFwM04rYyaBdFPcHqghTUHgOnFbp8nrbOLpaz0ltts7WnjsTK83hkcoBu_vo6QW8A5WX4LFuvxdOWH8/s16000/R-5470746-1468265168-5960.jpg" /></a></div>
<div style="text-align: justify;"><span style="font-size: small;">Avant garde post punk band formed in 1979 in Amsterdam.
Started as a trio (<b>Rob Scholte</b> -drums, <b>Ronald Heiloo</b> -piano/electric piano and <b>Tim Benjamin</b> -guitar) in the basement of the Rietveld Academie in Amsterdam and they were first called <b>The Case</b>. The avant-rock/ post-punk of <b>The Young Lions</b> brought to mind the most discordant moments of <b>Captain Beefheart</b>, the frantic pow-wow rhythms of <b>The Velvet Underground</b>, the modern dance of <b><a href="http://thecommercialzone.blogspot.com/2015/08/pere-ubu.html" target="_blank">Pere Ubu</a></b> and the industrial meltdown of <b><a href="http://thecommercialzone.blogspot.com/2016/05/throbbing-gristle.html" target="_blank">Throbbing Gristle</a></b>. [SOURCE: <a href="https://rateyourmusic.com/artist/the_young_lions_f1" target="_blank">RATE YOUR MUSIC</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> </span><br /><span style="font-size: small;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Fr3jbyEY0XU?si=lhxlMllAFt39k4wQ" title="YouTube video player" width="560"></iframe>
</span><br /><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Amphibious Records – A 004 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Cassette, Album, Reissue </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> Netherlands </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released: </b>1982 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> New Wave, Minimal Wave, Experimental Rock<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A Untitled </span></div><div style="text-align: justify;"><span style="font-size: small;">B Untitled </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">Recorded live at Ultra's, 22-10-80 </span></div><div style="text-align: justify;"><span style="font-size: small;">Re-release, April 1982 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/bv9j9x7la1u4p2b/Young+Lions+-+Small+World+[Cass]+1982,+Amphibious).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-33373603574110893042024-01-07T15:12:00.005+01:002024-01-07T15:12:43.638+01:00X•S•Energy – Eighteen [7"] (1978, World Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGcaQBYJZRdwHKFeFzMh7nPlQ7m75jkJOkg2E0x7DCQpLkgTk0WsefTdqkEnj7hY81hTyh9GS3cbd36T-zHr0fwtt6SKinzOqkB-0ao0NPHi7rH0xsXaanRZWtoimNQteWDuNQe0pkNrUmC49roWvAu4Dojrg8wFw5E9azHjT4KVcgCfMm9Dt-p6I2m_tI/s508/R-1722728-1582961818-4567.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="508" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGcaQBYJZRdwHKFeFzMh7nPlQ7m75jkJOkg2E0x7DCQpLkgTk0WsefTdqkEnj7hY81hTyh9GS3cbd36T-zHr0fwtt6SKinzOqkB-0ao0NPHi7rH0xsXaanRZWtoimNQteWDuNQe0pkNrUmC49roWvAu4Dojrg8wFw5E9azHjT4KVcgCfMm9Dt-p6I2m_tI/s16000/R-1722728-1582961818-4567.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaZvAh3eDT7txfP1E90cUptWqT1OFdhYrx_PAWMHBR1gL1PX1v0Tt61RelEZDpEU8muua32OHxji6d0sjx0Y4jnfkAwW4QZxiUCIgByfq83Cj4uNd3onN7NPTKV7Dy-FrDKFZERcdKsGN8i2PYm-Xebg4ZUgEVWNZrkI_4wThRUAftevr22LzMfxQtAMdI/s507/R-1722728-1582961817-1057.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaZvAh3eDT7txfP1E90cUptWqT1OFdhYrx_PAWMHBR1gL1PX1v0Tt61RelEZDpEU8muua32OHxji6d0sjx0Y4jnfkAwW4QZxiUCIgByfq83Cj4uNd3onN7NPTKV7Dy-FrDKFZERcdKsGN8i2PYm-Xebg4ZUgEVWNZrkI_4wThRUAftevr22LzMfxQtAMdI/s16000/R-1722728-1582961817-1057.jpg" /></a></div>
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<span style="font-size: small;"><b><a href="http://thecommercialzone.blogspot.com/2023/09/xs-energy.html" target="_blank">X.S. Energy</a></b> was a fine band from Lincoln producing two singles on Dead Good Records. The first one, '<i>18 / Jennys Alright / Horrorscope</i>' (1978) and the second from 1979 '<i>Use You / Imaginary</i>'. Midtempo punk riffery with catchy chorus. Pop punkish with sung, as opposed to shouted or sneered, vocals. Worth getting. Members: <b>Freddie Voltage</b> (Guitar/Vocals), <b>Max Headroom</b> (Lead Guitar/Vocals), <b>Nicky Teen</b> (Bass/Vocals), and <b>Mark Up</b> (Drums). [SOURCE: <a href="https://www.punk77.co.uk/groups/xsenergy.htm" target="_blank">PUNK 77</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/wbETNvoEF1M?si=8CFmL65ZtN9Fzd0e" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label: </b>World Records – WRECK 1 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 7", 45 RPM, Single, Limited Edition, Numbered</span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> Dec 1978 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Punk, Punk Rock<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A Eighteen </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Jennys Alright </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Horrorscope! </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes:</b> </span></div><div style="text-align: justify;"><span style="font-size: small;">3 different coloured photocopied sleeves (pink paper, green paper, yellow paper). This was later re-issued on Dead Good Records. </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/euwg6mse7mflbpv/X•S•Energy+-+Eighteen+[7'']+(1978,+World).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-89808750237474268032024-01-06T10:07:00.000+01:002024-01-06T10:07:05.415+01:00The Wishing Stones – New Ways [12''] (1987, Head)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx7JQ8KSjRyJ8a80o3drq8iOSG3TnzOC_G6Ourb4Ko6j3xqv3KRlIVAL9SXbDpHBO8eRRw5fg3u3DqMQjSY3bQuemCwtoBWMOiP52hrEzmiaU8GjlMXTlErG8WAIy8LKgH0yzMB65rCAyL2QXM4khJRHr7bWMTYGwu-_HIEaXNGZcRUnTE4C_KIwZZvnU3/s500/R-3630385-1356355511-3791.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="497" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx7JQ8KSjRyJ8a80o3drq8iOSG3TnzOC_G6Ourb4Ko6j3xqv3KRlIVAL9SXbDpHBO8eRRw5fg3u3DqMQjSY3bQuemCwtoBWMOiP52hrEzmiaU8GjlMXTlErG8WAIy8LKgH0yzMB65rCAyL2QXM4khJRHr7bWMTYGwu-_HIEaXNGZcRUnTE4C_KIwZZvnU3/s16000/R-3630385-1356355511-3791.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><b><a href="http://thecommercialzone.blogspot.com/2022/04/the-wishing-stones.html" target="_blank">The Wishing Stones</a></b> were a mid/late '80's indie-rock band formed from the ashes of early Creation band <b><a href="http://thecommercialzone.blogspot.com/2015/11/the-loft.html" target="_blank">The Loft</a></b>. The band, led by <b>Bill Prince</b>, backed up by <b>John F. Niven</b>, <b>Stuart 'The Bull' Garden</b> and <b>Andy Kerr</b>, played an ahead-of-its-time blend of early '70s classic US rock (<b>The Band</b>, <b>Creedence</b>) and late '70's New York No Wave (<b><a href="http://thecommercialzone.blogspot.com/2022/07/television.html" target="_blank">Television</a></b>, <b><a href="http://thecommercialzone.blogspot.com/2021/09/richard-hell.html" target="_blank">The Voidoids</a></b>). They released 3 singles via <b>Jeff Barrett</b>'s pre-Heavenly label, Sub Aqua. '<i>Wildwood</i>', their only album, was recorded for Sub Aqua but remained unreleased for several years after the label had folded. By the time Heavenly were up and running and '<i>Wildwood</i>' was released, the band had split. <b>Bill Prince</b> moved into journalism (GQ, Q), <b>Andy Kerr</b> joined the much tipped <b>Spirea X</b> and <b>Stewart 'The Bull' Garden</b> worked at Truck Festival. <b>John Niven</b> ran Southpaw Recordings, home of <b>Mogwai</b> and <b>The Zephyrs</b>. [SOURCE: <a href="https://www.last.fm/music/The+Wishing+Stones/+wiki" target="_blank">LAST.FM</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/_4THa0QYG0A?si=MIdXnOO_r1wt_z5P" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Head – Head 612 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 12", Single </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> Apr 24, 1987 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Indie Rock, Jangle Pop<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A New Ways </span></div><div style="text-align: justify;"><span style="font-size: small;">B1 Wildwood </span></div><div style="text-align: justify;"><span style="font-size: small;">B2 Holed Up </span></div><div style="text-align: justify;"><span style="font-size: small;">B3 House Is Not A Home </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: </b></span></div><div style="text-align: justify;"><span style="font-size: small;">The song "New Ways" was produced by <b>Mayo Thompson</b> (<b>The Red Krayola</b>) and was also released as a 7" single backed with "House Is Not A Home"<br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/g8epiubbd0k4r51/Wishing+Stones+-+New+Ways+[12'']+(1987,+Head).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-5989971630471275902023-12-31T13:12:00.000+01:002023-12-31T13:12:01.921+01:00Voice Farm – Double Garage / Elevate [7''] (1981, Optional Music]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjva6a-We9BmN4NxR7GQYDrR2Ma2m9RX0yN3AbrBmSeYPM_yiaj8mKSzGBkbeqM0xBbcAZU0H8nz05ufmR1LSvKh4rz1YUDaH5eDoChRYmQjgmBnU0Sc9rkrNWdBkFcfe_YWh2TaR-K0JdfnF3pkICpXexdC-HbE86RNsJFDiNUIH3yAcxg5H6qDQscxG53/s500/R-439033-1522135342-2935.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjva6a-We9BmN4NxR7GQYDrR2Ma2m9RX0yN3AbrBmSeYPM_yiaj8mKSzGBkbeqM0xBbcAZU0H8nz05ufmR1LSvKh4rz1YUDaH5eDoChRYmQjgmBnU0Sc9rkrNWdBkFcfe_YWh2TaR-K0JdfnF3pkICpXexdC-HbE86RNsJFDiNUIH3yAcxg5H6qDQscxG53/s16000/R-439033-1522135342-2935.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyHovX82fGI7UaFkFC_PiQfJfwGdK4E_6n4LC4wVS1rfuWlscA6qlqL1F-AcVB3BDezuP6M_P_oB112YNHNxMhj_uly4xQAP2JGb8yyFgDzjzEUCBnEGrdp7EyL1m-y7gFtPVQ2ZZYs0cq34B_jlKR0Zi8ZHoonh57S5TakcEFJ3UlKdObCq7FvF-fpNO1/s500/R-439033-1522135348-9736.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyHovX82fGI7UaFkFC_PiQfJfwGdK4E_6n4LC4wVS1rfuWlscA6qlqL1F-AcVB3BDezuP6M_P_oB112YNHNxMhj_uly4xQAP2JGb8yyFgDzjzEUCBnEGrdp7EyL1m-y7gFtPVQ2ZZYs0cq34B_jlKR0Zi8ZHoonh57S5TakcEFJ3UlKdObCq7FvF-fpNO1/s16000/R-439033-1522135348-9736.jpg" /></a></div>
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<span style="font-size: small;">Basically a duo consisting of vocalists/keyboard players <b>Myke Reilly</b> and <b>Charly Brown</b>, the San Francisco-based <b>Voice Farm</b> debuted in 1982 with '<i><a href="http://commercialrecords.blogspot.com/2020/05/voice-farm-world-we-live-in-lp-1982.html" target="_blank">The World We Live In</a></i>', an album consisting of their half-instrumental, half-poetic songs put to synthesizer shadings and light percussion. Five years later, <b>Voice Farm</b> returned for a self-titled album on Ralph Records; <b>Reilly </b>and <b>Brown</b>, though still just a duo, added a guitarist and several backing vocalists for a dance-oriented sound that still made heavy use of the keyboards. After another long gap between recordings, '<i>Bigger Cooler Weirder</i>' was released in 1991. [SOURCE: <a href="https://www.allmusic.com/artist/voice-farm-mn0000811517#biography" target="_blank">ALLMUSIC</a>]</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/8dYSJ66jQJk?si=07VIDxM0HRhlfrVH" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Optional Music – 5 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format:</b>
Vinyl, 7", 45 RPM </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> US </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1981 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> Synth-pop, Minimal, Darkwave, New Wave, Minimal Wave <br /></span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A Double Garage 2:37 </span></div><div style="text-align: justify;"><span style="font-size: small;">B Elevate 3:48 </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Notes: </b></span></div><div style="text-align: justify;"><span style="font-size: small;">Re-released in the UK in 1982 by Alternative Tentacles </span>licensed from Systematic Records.<span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <b><a href="https://www.mediafire.com/file/4usdw4zsjswbz42/Voice+Farm+-+Double+Garage+++Elevate+[7'']+(1981,+Optional).rar/file" target="_blank">HERE</a></b></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-34363283464859663082023-12-30T09:26:00.000+01:002023-12-30T09:26:12.289+01:00The Urge – Revolving Boy [7''] (1980, Cönsumer Disk)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUiuHT-2UPV650XLdRCx_FahBzsEIQIsPvnyzPR-81lxqjZiWUICe5ZNU-Ty4TV0mehXD-vA27O1eLKvfe9t20oaz53Yl4Z-334VaYAql1hte7lHSyu4GqG2y6rg6KotG-BoVRDWArX1clRTH-XEFzzp_mvel_4iw-Fn5mbQf4GjAOVKRHlDvNRMzmjIIn/s500/R-1607966-1268329536.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUiuHT-2UPV650XLdRCx_FahBzsEIQIsPvnyzPR-81lxqjZiWUICe5ZNU-Ty4TV0mehXD-vA27O1eLKvfe9t20oaz53Yl4Z-334VaYAql1hte7lHSyu4GqG2y6rg6KotG-BoVRDWArX1clRTH-XEFzzp_mvel_4iw-Fn5mbQf4GjAOVKRHlDvNRMzmjIIn/s16000/R-1607966-1268329536.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-size: small;"><b>The Urge</b> were a Post-punk experimental band from Coventry, formed in 1978. Members were <b>Dave Wankling</b> (vocals), <b><a href="http://thecommercialzone.blogspot.com/2020/07/kevin-harrison.html" target="_blank">Kevin Harrison</a></b> (guitar, synthesizer), <b>Lynda "Wulf" Harrison</b> (vocals),<b> John Westacott</b> (bass, 1978-80), <b>Nigel Mulvey</b> (bass, 1980-?), <b>Billy Little</b> (drums), <b>Rich Medlock</b> (drums), <b>Dennis Burns</b> (keyboards), <b>John Shipley</b> (guitar) and <b>Pete Jordan</b> (saxophone). They released a coumple of singles on the Cönsumer Disk imprint, '<i><a href="http://commercialrecords.blogspot.com/2022/06/urge-bobby-7-1980-consumer-disk-arista.html" target="_blank">Bobby</a></i>', and this '<i>Revolving Boy</i>', both in 1980.</span></div><div style="text-align: center;"><span style="font-size: small;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/eyUHjYYaAnQ?si=lkRqcLJLfC5_bZPE" title="YouTube video player" width="560"></iframe><br /> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Label:</b> Cönsumer Disk – 0861 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Format: </b>
Vinyl, 7" </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Country:</b> UK </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Released:</b> 1980 </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Style:</b> New Wave, Punk, Post-Punk</span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;"><b>Tracklist: <br /></b></span></div><div style="text-align: justify;"><span style="font-size: small;">A Revolving Boy </span></div><div style="text-align: justify;"><span style="font-size: small;">B Revolve </span></div><div style="text-align: justify;"><span style="font-size: small;"> </span></div><div style="text-align: justify;"><span style="font-size: small;">DOWNLOAD <a href="https://www.mediafire.com/file/4f1o8p9pzlouh3r/Urge+-+Revolving+Boy+[7'']+(1980,+Cönsumer+Disk).rar/file" target="_blank">HERE</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8928542636487423825.post-40026508685099690722023-12-24T10:20:00.000+01:002023-12-24T10:20:02.672+01:00Two – Dreaming Spires [LP] (1983, Future Records)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiTSvD4HaD9_LX4sIpQA_XkZux4feCf6eWjHXzjzE-CpPbNxxdnLF7oZNVTKnAFXZhg5SZvS40qhkqhmpj8mhrRZXOpQFcNIoyZn8jfxaxuQwVFD9VGHQ3V3i9g7GQFBPByLwhQoj2GvTRQ3A39C36ELxPE-dPMT791vaG9nF0z0rmW8QzvbXIZBz8IyY5/s500/R-1182345-1270301164.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="483" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiTSvD4HaD9_LX4sIpQA_XkZux4feCf6eWjHXzjzE-CpPbNxxdnLF7oZNVTKnAFXZhg5SZvS40qhkqhmpj8mhrRZXOpQFcNIoyZn8jfxaxuQwVFD9VGHQ3V3i9g7GQFBPByLwhQoj2GvTRQ3A39C36ELxPE-dPMT791vaG9nF0z0rmW8QzvbXIZBz8IyY5/s16000/R-1182345-1270301164.jpg" /></a></div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3kaJC9vrRU8PBKLkzs4c97C9l0M2p1HEpXM6g10ahGCgeA8UTD2Zf8m7zVo2CuTa4X3bNNrQ_D65jI41hRYg8hRaLnQJoxWdTA0eixW0t4ts0KWgucWaNP-_zScLL5X09i22Jy3lKt4d6PC8MZiwRwAXZGfbL8VrkjQQzgZuFkGeyB09Y_eLUH_AN9nvc/s500/R-1182345-1270301172.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="490" data-original-width="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3kaJC9vrRU8PBKLkzs4c97C9l0M2p1HEpXM6g10ahGCgeA8UTD2Zf8m7zVo2CuTa4X3bNNrQ_D65jI41hRYg8hRaLnQJoxWdTA0eixW0t4ts0KWgucWaNP-_zScLL5X09i22Jy3lKt4d6PC8MZiwRwAXZGfbL8VrkjQQzgZuFkGeyB09Y_eLUH_AN9nvc/s16000/R-1182345-1270301172.jpg" /></a></div>
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'<i>Dreaming Spires</i>' is the only full-length released by synth duo <b>Two</b>, formed in London in 1981 by <b>Gill Benn</b> and <b>Iain Sanders</b>. It has some experimental tracks as well, like "It Won't Work", a 15 minutes track that occupies the whole B Side with its minimal, murky electronic pulses and atmospheres.
Don't let the cheesy sleeve fool you. Interesting but quite hard-to-find album on Future Records. [SOURCE: <a href="http://www.pugachov.ru/eem/tafram.html" target="_blank">ENCYCLOPEDIA OF ELECTRONIC MUSIC</a>]</div><div style="text-align: center;"> <br /><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/IjnMx_rmIog?si=iAMJlrTEYa1zfImT" title="YouTube video player" width="560"></iframe><br /> </div><div style="text-align: justify;"><b>Label:</b> Future Records – FL 3 </div><div style="text-align: justify;"><b>Format:</b>
Vinyl, LP, Album, Stereo </div><div style="text-align: justify;"><b>Country:</b> UK </div><div style="text-align: justify;"><b>Released:</b> 1983 </div><div style="text-align: justify;"><b>Style:</b> Synth-pop, Minimal, Minimal Synth, Experimental<br /></div><div style="text-align: justify;"> </div><div style="text-align: justify;"><b>Tracklist: </b><br /></div><div style="text-align: justify;">A1 Picture Frame </div><div style="text-align: justify;">A2 Waiting </div><div style="text-align: justify;">A3 Regime </div><div style="text-align: justify;">A4 Architecture </div><div style="text-align: justify;">A5 Pale Yellow </div><div style="text-align: justify;">A6 End </div><div style="text-align: justify;">B It Won´t Work </div><div style="text-align: justify;"> </div><div style="text-align: justify;">DOWNLOAD <a href="https://www.mediafire.com/file/v78vgafn71ni86b/Two+-+Dreaming+Spires+(1983,+Future).rar/file" target="_blank">HERE</a></div>
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