It is a strange sensation reviewing the debut album of an already familiar artist. You recognize methods and sounds that are commonplace in the discography but not in the context of album. How do you react to that? The debut record of Otomo Yoshihide sets a clear standard for his off-kilter vinyl sample-based noise productions. Many of the bits and bobs used throughout this collaboration have been expanded on, cut up or reconfigured later in his career.
With 広瀬淳二 [Junji Hirose] manning the more analog noise producers,' Silanganan Ingay', meaning 'far east noise' in Tagalog, becomes a childlike exploration of sound experimentation. Nothing has a clear concept, everything is very immediate, evidenced by the fact that there were no edits, no overdubs and that everything was recorded live. This also gives the record a very peaks-and-valleys quality; the high points are very distinguishable from the low points.
With toy music boxes over screeching guitars, turntables over saxophone, a James Brown record having a crazy BDSM-based love affair with pins, needles, a saw and an autoharp, there is no shortage of entertainment, though. Again, if anything, this debut says something about the raw talent of both men in their chose auditory field. [SOURCE: RATE YOUR MUSIC]
Label:
Tanga-Tanga – R-001
Format:
Vinyl, LP
Country:
Japan
Released:
1989
Style:
Noise, Experimental, Free Improvisation, Turntable Music
Tracklist:
A1 Noise From Far East 3:11
A2 The Time To Live And The Time To Die 2:40
A3 1.2.3.4. 1:22
A4 6 And 14 Wave 5:25
A5 Black And Blue 4:01
A6 Green Bicycle 2:33
A7 Intolerable Fellow 1:30
B1 Short Tune 0:24
B2 Mob? 3:55
B3 For T.T. 1:53
B4 Crying Sky 1:51
B5 #7 1:15
B6 Jalan 5:54
B7 Don't Be Late! 1:41
B8 Rip 3:25
DOWNLOAD HERE
No hay comentarios:
Publicar un comentario