DC-Pöbeln (or sometimes Dagcenterpöbeln, or the shorter DC-P) was concieved in the Swedish city of Örebro by "Guggi" & "17" in the fine year of 1982 as a piece of confusing grafitti. Tommy Olson being "Guggi". As for "17", it feels like a bit of an outing to reveal his identity as he is now a famous adult oriented rock-producer with a great appetite for cholesterol, but what the heck; he was christened Johan Kugelberg by his parents. That´s the line-up really, apart from them there were no "members" as such; merely collaborators and people who happened to own synthesizers and stuff. People unlucky enough to cross their path. More a concept than a band; which is common now, but from where they came unheard of then. DC-Pöbeln played live twice, and it is symptomatic that the only person present on stage on both occassions was a rather distant relation who performed some wacko kind of rituals without ever being asked. Johan was on stage on the first event, and Tommy Olson on the other. (Oddly enough, both concerts took place in museums) And "17" is not present on the recording of 'Bettan' (though he assembled the material that appears on the b-side). [SOURCE: THE X FILES]
Label:
Konduktör Rekords – KR 9
Format:
Vinyl, 7", Single
Country:
Sweden
Released:
1985
Genre:
Electronic
Style:
Synth-pop, Experimental
Tracklist:
A1 Message From The Temple
A2 Bettan Står I Baren, Baren Är Mitt Mål, Bettan Är Baren
B1 Dödgrävaren
Notes:
First 42 copies were numbered and came with a piece of the Come - Come 1 7" (Come Organisation) record from 1979.
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