→ ↑ → was an experimental multimedia group formed in Melbourne in 1977 by Philip Brophy. Projects included music, visual art, films, literature, and music/theatre performances. The core group included Anthony Montemurro, Ralph Traviato, Jane Stevenson (a.k.a. Jayne), Maria Kozic, Leigh Parkhill, with occasional members such as David Chesworth, and many others. → ↑ → is pronounced with three denti-alveolar clicks of the tongue, hence it is often transliterated as "Tsk Tsk Tsk" or "Tch Tch Tch". [SOURCD: DISCOGS]
Label:
Present Records – PRE-005
Format:
Vinyl, LP, Album
Country:
Australia
Released:
1985
Style:
Abstract, Experimental, Electro
Tracklist:
A1 Part I ("Well ... Here I Am")
A2 Part II ("I Don't Know Nuthin'; I Don't Hear Nuthin'; I Don't See Nuthin''|)
A3 Part III ("Didn't Expect To See You Ridin' Shot Gun On This Run, Marshall")
B1 Part IV ("Take It Easy, Pretty Boy; Whaddya Have Such A Sweat About?")
B2 Part V ("Well A Boy's Best Friend Is His Mother")
'Ultraviolet' is a compilation relased in 1989 by the California-based label
Sketch Records comprising Alternative Rock, New Wave and Goth Rock
bands. Only 500 copies pressed up.
Abecedarians were a
Los Angeles based trio active in the mid to late 80's formed by Chris Manecke (guitar, vocals, keyboards), Kevin Dolan (drums) and John Blake (bass) and specialized in reverb heavy, synth driven post-punk songs.
Drowning Pool wasan avant-rock ensemble that released extraordinary collections of eccentric songs: the double album 'Satori' (Nate Starkman and Son, 1987), the EP 'Nierika' (Viva Records, 1988) and the album 'Aphonia' (Nate Starkman and Son, 1989). Their music straddled the line between new wave, psychedelia, world-music, ambient and industrial. They changed name to Mumbles in 1990 and released the album 'Two Clouds' on Viva Records out of Italy.
In 1996 original vocalist Andrew Crane released the album 'Sustenance'
under the name Acorn and fellow Drowning Pool members Adam Elesh, Brett
Smith and Jon Thomas appeared on various tracks as guest musicians.
In 2011 Adam and Brett Smith formed a new project called
KinderCrowdControl and released the album 'Selah' on Bruce Licher's
Independent Project Records label.
3D Picnic was an alternative pop-rock band from Los Angeles, California. The band was led by guitarist/vocalist Dallas Don Burnet, who decided to end the band in 1992.
Electric Cool-Aide were a band from Orange County California. They played live from 1985-1995.
Members have included Anton Newcombe, Darren McNamee, Nick Sjobeck, Jamie Reidling, Tony Scalzo, Nate Shaw, Geoff Harrington, Mark McGrath and many others.
Death Ride '69 was a Los Angeles deathrock band formed by Dave Haas, Don Diego, Ethan Port, Linda LeSabre, Mark Blasquez and Wrex Mock.
Homeland was an underground, alternative rock band of Anton Newcombe of The Brian
Jonestown Massacre, based in Los Angeles and active in the 1980's, with other members such Brad Wilson, Greg Derfer and Mike Kubisty.
Man From Missouri
formed in California by members Jon Jarrett (vocals, guitar), Kelly Mason (bass, vocals), Art Byington (guitar) and Steve Hadley (drums).
Label:
Sketch Records – SRLP01
Format:
Vinyl, LP, Compilation
Country:
US
Released:
1989
Style:
Alternative Rock, New Wave, Goth Rock, Post-Punk, Deathrock
Ween were the ultimate cosmic goof of the alternative rock era, a prodigiously talented and deliriously odd duo whose work traveled far beyond the constraints of parody and novelty into the heart of surrealist ecstasy. Despite a mastery of seemingly every mutation of the musical spectrum, the group refused to play it straight; in essence, Ween were bratty deconstructionists, kicking dirt on the pop world around them with demented glee. Along with the occasional frat-boy lapses into misogyny, racism, and homophobia, the band's razor-sharp satire cut to the inherently silly heart of rock & roll with hilariously acute savagery; fueled by psilocybin mushrooms and an all-consuming craving for hot meals, Ween created their own self-contained universe, a parallel dimension where the only sacred cow was their own demon god, the Boognish.
The duo formed in suburban New Hope, Pennsylvania in 1984, when 14 year olds Mickey Melchiondo and Aaron Freeman adopted their respective fraternal aliases, Dean and Gene Ween, and cut the first of literally thousands of home recordings such the ones from 1983-1986 of 'Erica Peterson's Flaming Crib Death'. Feels a lot longer than 18 minutes, with a rad cover of "Disco Inferno". "Ingrown Mayo" and "Stress Tabs" are kinda funny. Interesting listen for Ween fans, and probably not anyone else. [SOURCE: ALLMUSIC]
Label:
Yucassettes – YC-7
Format:
Cassette, Single Sided, Album
Country:
US
Released:
1986
Style:
Alternative Rock, Noise Rock, Punk Rock, Lo-Fi, Slacker Rock, Experimental Rock, Comedy Rock
Tracklist:
A1 Go! 1:19
A2 Oik! 0:41
A3 Nippy Wiffle 1:15
A4 Fat Albert 0:50
A5 I Drink A Lot 0:48
A6 Boognish 1:06
A7 The Refridgerator That Wouldn't Close 0:44
A8 Duke Of Denim 0:34
A9 Ingrown Mayo 0:34
A10 Boobs 0:59
A11 Jelly (Part 1) 1:20
A12 Yolk 0:58
A13 Anna 1:07
A14 Disco Inferno 4:22
A15 Stresstabs 0:28
A16 Shnagenhausen 0:20
A17 We Seen Ween Bean 0:34
Notes:
Recorded from 1983-1986, extremely limited to 20 or more.
Warped Records was a DIY label from 1978. There seem to have been at least four Punk-orientated Warped labels around in the late '70s, unless, as is possible, one company used more than one numbering system. The only release of this particular Warped was the Varicose Veins', 'Incredible' EP (WARP-1 / WARP-2). The Veins, and of course their label, came from Arlesey in Bedfordshire. Varicose Veins was formed in early 1977 by five school mates living in and around a small town called Arlesey in Bedfordshire. The band members were Phil Parfitt, (aka Henry Crank), vocals (later on sax); Alison Pate (aka Alison), lead guitar/backing vocals; Peter Ellison (aka PEL), amped up stylophone (later keyboards)/backing vocals; Wayne Bebb (aka Wayne Shaft) bass guitar; and Roger Simpson (aka Stan Stump) drums. [SOURCE: http://uk45s70.orgfree.com/70s/70W/70WARPED-Varicose.htm]
The Ullulators are an expansive and alternative space rock / dub / world music fusion band with roots in the UK festival scene, with history going back to the late 80's. In the early days of Ozric Tentacles they had two guitarist, Ed Wynne and Gavin Griffiths. But 'this town ain't big enough for the both of us'. Gavin formed The Ullulators, sharing some bandmembers with Ozrics. Their music was considered awesome, and the tapes released at the time 90 minute gems, 'Beyond The Gates Of Ull', 'Share A Clam' and 'Monads of Mangonia'. There was also a vinyl album, 'Flaming Khaos', and a track on the 'Feed Your Head' Planet Dog compilation. Contrary to other accounts, The Ullulators played for many years after their surpposed demise, playing a small festival each summer, Having achieved cult status over the years, the band continues to release new material and spread it's diverse and expansive musical wings in the digital age. [SOURCE: LAST.FM]
Label:
Demi Monde – DMLP1021
Format:
Vinyl, LP, Album
Country:
UK
Released:
1989
Style:
Reggae, Psychedelic Rock, Space Rock, New Wave, AOR
Trigger and the Thrill Kings
was a short-lived band formed
in 1983 in United States. Members
were Trigger Truth [Truus de Groot] (vocals, bass), Jim Duckworth (guitar), Jim Sclavunos (drums), Danny B. Harvey (guitar) and Chas Leyland (bass).
Daniel Bryan Harvey is an American guitarist, producer and composer born in Killeen, Texas. He has played and recorded with artists Levi Dexter, Tim Polecat,
Johnny Ramone, Nancy Sinatra, Lemmy Kilmister, Lee Rocker and Slim Jim. Jim Duckworth
was in groups such
South Filthy, Tav Falco's Panther Burns, The Gun Club and Yes Men.
Trigger And The Thrill Kings just issued a couple of EPs: one split with Plus Instruments in 1984 released by the Germany label What's So Funny About..., and 'Trigger And The Thrill Kings' in 1986, released in France by the GMG label and in the US by Naked Spur Records.
Sign Language was a band from Blackpool formed by Paul Connolly (guitar), Simon Borkin (bass), Damian Lonsdale (drums) and Laurence Brewer (vocals, later on Ceramic Hobs). Initially influenced by the spirit of the first wave of British punk bands such as the Sex Pistols, Clash and Buzzcocks, Sign Language developed their sound by merging elements of punk and rock. They produced a music which was distinctive from the hard-core punk emerging from the second wave of punk bands in the early 80’s, and more in tune with the post punk / new wave sound emanating from bands such as Killing Joke, Joy Division and early U2. After honing down their set of songs Sign Language gained a strong reputation as an energetic live act. [SOURCE: BBC]
L.A.'s Radwaste features two members of Urinals and 100 Flowers (John Talley-Jones and Kevin Barrett), as well as an unusual four-drummer lineup. They play percussive post-punk with a funk undercurrent that definitely brings to mind groups like Gang of Four, Minutemen, fIREHOSE and even the very early Red Hot Chili Peppers. This EP is busy, energetic and right on the dividing line between post-punk and early alternative rock. It sounds great too since Ethan James engineered it ('Double Nickels on the Dime', 'If'n', etc.), which allows the percussion to really come alive. Bassist Talley-Jones trades main singing duties with guitarist Michael Kory and the band comes up with a lot of intriguing musical ideas. The songs themselves aren't the most memorable compositions ever but all are certainly exciting as they play, enough so to keep coming back for lots of additional listens. 'Cooking and Nothingness' is worth discovering and is another fine musical document on the venerable Happy Squid label. fIREHOSE fans will especially dig this. [SOURCE: RATE YOUR MUSIC]
Hailing from Maidstone (Kent), Performing Ferret Band got together in 1978 and with their amateur take on music, they wrote a small but great chapter of the emergence born out of punk, when the proliferation of small labels and self-releases invaded the record shops and created a scene which developed one of the golden and most creative periods of music, despite the participants' technical limitations. Later based in Manchester and inspired by comedians such as Monty Python and musicians like Captain Beefheart, The Velvet Underground, or The Fall, the Ferrets developed a personal style very close to Television Personalities, Swell Maps, or The Desperate Bicycles, all bands of questionable virtuosity. That didn't stop the Ferrets from releasing two cassettes, a 7", and an LP during their short life until 1982. [SOURCE: FORCED EXPOSURE]
