Mostrando entradas con la etiqueta Tribal. Mostrar todas las entradas
Mostrando entradas con la etiqueta Tribal. Mostrar todas las entradas

domingo, 31 de enero de 2021

People In Control ‎– When It's War [7''] (1981, Crammed Discs)

 
It's very lo-fi, but it has a fabulous groove to the EP. It certainly has that sort of absurdly orchestrated yet function feel of Family Fodder. It has the male and female vocalist interchanges and that sort of dub influenced post-punk vibe and tribal style drumming as well. Charles Bullen from This Heat was involved in this project as well which explains the slightly more experimental touches this has. "When It's War" is sort of haunting. "Failing To Achieve" is also a good track, but perhaps not quite as memorable as the title track. Their finishing move, "Pale Fail" echoes "When It's War" only it's mainly instrumental, not really a song actually. All in all though what little material exists from this group is pretty wicked, and if you are a fan of either Heat or Fodder then this should be an absolute must. [SOURCE: RATE YOUR MUSIC
 

 
Label: Crammed Discs ‎– cram 1457 
Format: Vinyl, 7", Single, 45 RPM 
Country: Belgium 
Released: 1981 
Style: Tribal, Post-Punk, Art Pop
 
Tracklist:
A1 When It's War 3:30 
B1 Failing To Achieve 2:35 
B2 Pale Fail 1:22 
 
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domingo, 16 de agosto de 2020

Yximalloo ‎– Techno Shrine Choir [CD] (1994, Sakura wrechords)


Yximalloo is Naofumi Ishimaru alone, but he drafts a loose ensemble of players, including the core of Shigeo Ootake and Takashi Korgo (who appear on all discs), as collaborator-executors. All of his releases are on his own label, and none have seen a distributor yet (which is why you very rarely find his CDs in stores). Ishimaru works like a Japanese Jandek without the angst, like the Boredoms minus the bombast. Spiritual kin to early artpunk and especially the LAFMS, he revels in mock-ethnic music and nonsense. Lo-fi, sweet and primitive, he uses ancient drum machines, hand percussion, and electronic droplet noises, sometimes set to melodies gathered from some imaginary South Sea island where the traditional instrument is seemingly an old '80s synth. Handclaps and chanting abound, but Yximalloo has also been painted as a Japanese Half Japanese -Jad Fair himself has collaborated with Ishimaru and draws the covers several releases (gorgeous dayglo and glow-in-the-dark covers in iridescent plastic cases). [SOURCE: YXIMALLOO


Label: Sakura wrechords ‎– C-09 
Format: CD, Compilation 
Country: Japan 
Released: 1994 
Style: Experimental, Minimal, Synth-pop, Tribal, Abstract, Lo-Fi, Avant-Folk, Minimal Wave, Tribal Ambient, Tape Music

Tracklist:
1 Za Happy Madness Flom Za Planet 0:48 
2 A-E-A-E-A 4:55 
3 Catholic Ghetto #23 2:31 
4 Too-Doo Bong 2:19 
5 Needle Anesthesia 3:19 
6 Kudalumping/Back In The U.S.S.R. 1:56 
7 Khaki Men 2:13 
8 Sa'i'Min 1:14 
9 The Desk, Smile! #2 3:14 
10 Dead Soldier With Red Lipstick #9 3:45 
11 Creeper Do Multiprise Wis 4 Dimention-Ly In Za Forest 5:48 
12 Opposite Roochoo Caliculation Of A Formula 1:47 
13 Tranced 1:06 
14 Meat Than Missile! 2:00 
15 Every Shrine Has Wasshoy 3:02 
16 Tea Dance 1:32 
17 The 8th Month 1:37 
18 Voice From The 99 1:45 
19 Tori #18 3:55 
20 Reproduction 1:41 
21 Kimigayo 0:39 
22 Dead Soldier With Red Lipstick #12 3:49 
23 E-Chin 3:54 
24 Brother Of Pipes 2:29 
25 100 Colors Tribe 2:27 
26 Throbbing Heart 6:37 

Notes:
©1984 Sakura wrechords. 

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viernes, 12 de junio de 2020

Yximalloo ‎– The Worst Of 1982 [CD] (1994, Sakura wrechords)


Yximalloo is Naofumi Ishimaru alone, but he drafts a loose ensemble of players, including the core of Shigeo Ootake and Takashi Korgo as collaborator-executors. All of his releases are on his own label. Ishimaru works like a Japanese Jandek without the angst, like the Boredoms minus the bombast. Spiritual kin to early artpunk and especially the LAFMS, he revels in mock-ethnic music and nonsense. Lo-fi, sweet and primitive, he uses ancient drum machines, hand percussion, and electronic droplet noises, sometimes set to melodies gathered from some imaginary South Sea island where the traditional instrument is seemingly an old '80s synth. Handclaps and chanting abound, but Yximalloo has also been painted as a Japanese Half Japanese -Jad Fair himself has collaborated with Ishimaru. [SOURCE: YXIMALLOO


Label: Sakura wrechords ‎– C-05 
Format: CD, Compilation 
Country: Japan 
Released: 1994 
Style: Experimental, Tribal, Industrial, Minimal, Noise, Synth-pop, Avant-Folk, Tape Music, Freak Folk

Tracklist:
1 A Fire #12 2:58 
2 A Bird 1:49 
3 A-E-A-E #1 2:15 
4 A Water #8 3:41 
5 Offer Incense Sticks #6 2:29 
6 WA-MATSURI #10 1:47 
7 Moon Loop #1 1:02 
8 A Ghost 1:46 
9 A Horse #9 1:26 
10 A Wood #7 1:59 
11 Offer Incense Sticks #9 3:11 
12 A Dance 1:04 
13 Ton-Ten-Kan 3:13 
14 A Fish 0:45 
15 Dead Soldier With Red Lipstick 4:03 
16 O'Rhythm 2:34 
17 A Horse #8 1:36 
18 Fish Loop 2:14 
19 A Fire #4 0:45 
20 A-E-A-E #3 2:09 
21 A Grass 2:09 
22 A Moon 0:33 
23 Jet 0:54 
24 TI-TZU #2 5:45 
25 Not So Easy #10 1:10 
26 Moon Loop #6 + #7 + #8 1:55 
27 WA-MATSURI #8 4:18 
28 A Fire #6 1:02 
29 A Horse #7 1:34 
30 Reggae Kills The Weird Music In Jamaica #6 4:06 
31 A Water #9 3:22 
32 Plague 4:43 

Notes:
Recorded in 1982 

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sábado, 9 de mayo de 2020

Orchestra Of Skin & Bone ‎– Orchestra Of Skin & Bone [LP] (1986, Major Records)





Orchestra of Skin and Bone were an Australian post-punk band active from 1984 to 1986. The band's core members were Ollie Olsen, Marie Hoy and John Murphy. They released a self-titled album in 1985, with the line-up of Olsen on lead vocals and guitar, Murphy on drums, Arnie Hanna on guitar, Marie Hoy on keyboards, David Hoy on cello, Tom Hoy on saxophone, Lochie Kirkwood on vocals and saxophone, Dugald McKenzie on vocals and harmonica, James Rogers on trumpet and Peter Scully on guitar. They also released cassettes on underground noise labels. According to Australian musicologist, Ian McFarlane, the ensemble "proved incomprehensible to local audiences and rarely played live." Two tracks from the album, "Sometimes", and "Ot-Ven-Rot" later appeared on the album by Olsen's project with Michael Hutchence, Max Q. [SOURCE: WIKIPEDIA


Label: Major Records – MRLP 003 
Format: Vinyl, LP, Album 
Country: Australia 
Released: 1986 
Style: Tribal, Industrial, Experimental, Neofolk, Experimental Rock, Post-Punk, Martial Industrial, Gothic Country, Goth Rock

Tracklist:
A1 Flame 
A2 Ot-Ven-Rot 
A3 Mind 
A4 In Search Of Faculty "X" 
A5 Sometimes 
B1 Glory 
B2 Deadeyes 
B3 Helvete 

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jueves, 12 de diciembre de 2019

Various ‎– The Archangels Of Sex Rule The Destruction Of The Regime [Cass] (1985, Nekrophile Rekords)




Nekrophile Rekords was an Austrian cassette label run by Michael DeWitt from 1983 to 1990. Specializing in occult/ritual industrial music (self-described as "Martial Music for the New Aeon"), Nekrophile Rekords released eight cassettes and some printed materials. [SOURCE: DISCOGS


Label: Nekrophile Rekords ‎– NRC06 
Format: Cassette, Compilation, C60 
Country: Austria 
Released: 1985 
Genre: Electronic, Folk, World, & Country 
Style: Industrial, Experimental, Rhythmic Noise, Tribal 

Tracklist:
A1 – Sleep Chamber W:O:M 
A2 – Zero Kama Prayer Of Zos 
A3 – Ain Soph Theme III 
A4 – Ewald Spiss Gbvrh 
A5 – Metgumbnerbone Death 
B1 – Coming To Now Thy Call To Kia 
B2 – Zero Kama Seven Nights Of Tantra 
B3 – Ain Soph Theme II 
B4 – Ewald Spiss NTzCH 
B5 – Sleep Chamber Coven Of Angels 

Notes:
"I am the Lord of the Double Wand of Power, the wand of the Force of Coph Nia- but my left hand is empty, for I have crushedan Universe & nought remains. AL III.72" (from the back flap of the cover.)
Cassette labels feature usually type-written "NRC06A" on side A and "ARCHANGELS OF CHAOS" on side B. 

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sábado, 12 de mayo de 2018

C Cat Trance ‎- C Cat Trance [LP] (1983)


After leaving Medium Medium, John Rees Lewis formed C Cat Trance with original Medium Medium drummer Nigel Kingston Stone. While similar in some respects to Medium Medium, they incorporated World music elements, releasing a self-titled debut mini-LP in 1983 on the Red Flame label. Subsequent releases were on the Red Flame sub-label Ink, starting with the 'Dreams of Leaving' 12-inch single. They released one album a year between 1985 and 1987 and another in 1992 before splitting up. John Rees Lewis later returned to a reformed Medium Medium. Cherry Red released a collection of the band's best material in 2005. [SOURCE: WIKIPEDIA


Label: Red Flame (RFM 19)
Format: Vinyl, LP, Mini-Album
Country: UK
Released: 1983
Genre: Electronic, Rock
Style: Tribal, Industrial, New Wave

Tracklist:
A1. Hypnotised (5:26)
A2 My Tattoo (2:47)
B1 Railway Magazine (4:26)
B2 Let Me Sleep (5:15)
B3 Untitled (2:24)
B4 Dangling On A String (5:27)

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