Mostrando entradas con la etiqueta Electropop. Mostrar todas las entradas
Mostrando entradas con la etiqueta Electropop. Mostrar todas las entradas

martes, 1 de septiembre de 2020

Denis & Denis ‎– Čuvaj Se! [LP] (1984, Jugoton)







It is truly sad most (ex) Yugoslavian synth-pop bands never really learned anything from their creative strengths and songwriting talent. Denis & Denis are no exception in this matter -everything they provided with on their debut album with such naive charm and sensuality, they also happen to have thrown away very quickly as their pop-career progressed. 

'Čuvaj se!' (meaning: "Take Care!") is a deserved masterpiece of early 80s Yugoslavian electro-pop, these days its voice extending far beyond the borders of the former federative republic. While many continue pointing out to their mega-hit (ironically, the only official single from the LP) "Program tvog kompjutera" (meaning: "Your Computer Programme"), the album itself is one true "Greatest Hits" beatfest. 

Also the duo were continually compared to a certain Eurythmics (eventually Yazoo), but with this particular album Denis & Denis were much closer to the likes of The Human League (singer Marina Perazić pretty much resembles Susanne Sulley's look on the front cover), cleverly taking over the latter's blueprint, transforming it into something just as uniquely modern. In the year 1984, Philip Oakey and Co. released 'Hysteria', a rather half-baked electro-pop album shying away from 'Dare!' but still as desperate to catch up with it -and then somewhere in the Eastern part of Europe, a strange folie-a-deux took the perfect formula, creating something of a 'Dare'-esque twin brother of an album, smart at displaying the source and avoiding risk of plagiarism. 

These songs throw obscurity, optimism, sex-appeal, desire and melancholy into the mix to great effect; the opening track "Čuvaj se!", echoing loneliness, tells a story about a woman in endless search for comfort, "Tek je sedam sati" ("It's just about 7"[o'clock]) adds sense of irony to the context of relationships, "Dvadeset i osam minuta do pet" ("Twenty-eight Minutes to Five") is a revue of daily routines, "Telefon" ("Telephone") sings of desire to re-establish physical contact, "Ti i ja" ("You and Me") and "Program tvog kompjutera" being about cause and effect between two people in love, "Doba noćnih kiša" ("Rainy Nights") is a moody uptempo track with darker overtones wrapped in autumn's shades of grey, a beautiful ballad "Sačuvaj nešto" ("Keep Something") about a relationship ending and the album's jewel -the closer "Dio refrena" ("Part of the Refrain"), a magnificent electro-monologue of utter paranoia. 

The most amazing feeling about the album, 'Čuvaj se!' is conceived well ahead of its time and while it captures the essence of the early 80s' music perfectly, it still sounds as fresh -the song "Ti i ja" for example, is a rather accidental reflection of House music, way before House actually officially reached the ears of the general public. It's latin-induced intro in strange collision with a drum machine quite reminiscent of New Order's "Blue Monday" is worth alone to explore this album. [SOURCE: DISCOGS


Label: Jugoton ‎– LSY 63206, Jugoton ‎– LSY-63206 
Format: Vinyl, LP, Album, Stereo 
Country: Yugoslavia 
Released: 1984 
Style: Synth-pop, Electropop

Tracklist:
A1 Čuvaj Se 3:53 
A2 Tek Je Sedam Sati 3:35 
A3 Dvadeset I Osam Minuta Do Pet 2:56 
A4 Telefon 4:10 
A5 Ti I Ja 4:02 
B1 Program Tvog Kompjutera 4:12 
B2 Doba Noćnih Kiša 4:15 
B3 Sačuvaj Nešto 4:36 
B4 Dio Refrena 4:35 

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viernes, 15 de mayo de 2020

Voice Farm ‎– The World We Live In [LP] (1982, Optional Records)





It's hard to listen to Voice Farm's debut without drawing comparisons to their contemporaries in the field of cerebral, synthesizer-based pop. Their precisely structured, heavily sequenced instrumentals often recall Gary Numan -not that there's anything wrong with that. On the vocal tracks, they resemble a left-coast Devo, casting a jaundiced eye on suburbia, voyeurism, and therapy. At times their sound intersects with the cold tones of early OMD; but Voice Farm takes themselves far less seriously. None of this is meant to imply that they were imitating these other artists. 'The World We Live In' displays a lot of creativity, but lacks cohesion and is hard to get a grip on. It has some quite memorable moments, including the catchy, funny putdown "Beatnik" and the album-closing "Over and Over," which masterfully blends a lyrical theme of obsession with relentless, ominous bass tones. The rest of the album is at least entertaining, except for a couple of songs that seem to have been intentionally designed to annoy: "Cheeno" and "Mama Made Me Do It" (it's interesting to note that the latter also appears on the 'Voice Farm' LP, drastically reconfigured into a strangely sweet pop tune). [SOURCE: ALLMUSIC


Label: Optional Records ‎– 004 
Format: Vinyl, LP, Album 
Country: US 
Released: 1982 
Style: Synth-pop, New Wave, Electropop

Tracklist:
A1 A.M. City 2:51 
A2 Lost Adults 4:08 
A3 Beatnik 3:23 
A4 Davy's Big Battle 2:52 
A5 Mama Made Me Do It 1:31 
B1 Sally Go Round The Roses 3:47 
B2 Double Garage 3:10 
B3 Follow Me Home 2:28 
B4 Voyeur 2:57 
B5 Cheeno 0:52 
B6 Over And Over 3:26 

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