PCR ‎– Bordun Chants [Cass] (1987, Prion Tapes)

This three piece band was, next to Doc Wör Mirran, the best known and admired industrial/experimental band to come out of the greater Nürnberg area. Comprising Adrian, his brother Constantin as well as Peter Schuster, known for his work under the name Tesendalo, they gave several concerts in the Nürnberg area in the late 1980s, releases several cassette only releases on various labels as well as their one LP on eMpTy Records, before disbanding around 1990 or so. [SOURCE: EMPTY.DE] 

Label: Prion Tapes ‎– Pr4 

Format: Cassette, C60 

Country: Germany 

Released: Jun 1987 

Style: Industrial, Experimental, Ambient, Tribal Ambient

Tracklist:

A1 Son De Flauta Funeraria 

A2 Where Shall We Go, What Shall We Do? 

A3 Afanc 

B1 Cwn Annwn - Dogs Of The Otherworld 

B2 Proserpinas Schuld 

B3 Ble Mae'r Boen - Where's The Pain? 

Notes:

"Wir sind Leidenden der Zeit, der afrikanischen Folklore, der Hirtenkunst, J. Thirwell, Lustmord, R. Morlock dankbar." 

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Ollie Olsen ‎– Emptiness [CD] (1999, Psy-Harmonics)

Ollie Olsen has produced much innovative music in Australia. Studied electronic music mid-70s under Felix Werder, a German composer living in Australia who had studied under Karlheinz Stockhausen. In the late 70's Ollie formed Whirlywirld, releasing a number of recordings on Missing Link Records. During the next ten years Ollie formed experimental outfits Hugo Klang and Orchestra of Skin and Bone, then the hard-core industrial techno band, NO. 

In the 1980s Ollie was invited to be the music producer for the movie of the same titled compilation album 'Dogs In Space'. He provided much of the soundtrack himself, including writing the hit song "Rooms For The Memory" for INXS front man and movie's star, Michael Hutchence. After a brief collaboration with U2 on the single 'New York, New York' by Ecco Homo, Ollie was approached by Michael Hutchence to produce an album with him. The result was 'Max Q'. Ollie also worked at this time with American producer Todd Terry and UK producer/DJ Paul Oakenfold. 

From the success of Max Q came a major record company deal and Ollie formed the band Third Eye. The group made one album before Ollie decided to concentrate on instrumental electronic music. Thus the label Psy-Harmonics was born, with the Third Eye's LP 'Ancient Future' as the first release. Ollie had a role as A&R for the Psy-Harmonics label, also producing a great deal of work for Psy-Harmonics. He has collaborated with other musicians on such projects as The Visitors, Antediluvian Rocking-Horse, Psyko Disko, Fluro Conspiracy, Higher Spin States, Assassin Device, Shaolin Wooden Men, and many others. His own album, 'Emptiness', explores Ollie's roots in avant-garde / experimental composition. [SOURCE: DISCOGS] 

Label: Psy-Harmonics ‎– PSY-041 

Format: CD, Album, Partially Mixed 

Country: Australia 

Released: 1999 

Style: Abstract, Experimental, Ambient, Dark Ambient

Tracklist:

1 00:01:25 1:25 

2 00:09:26 8:00 

3 00:12:03 2:36 

4 00:21:34 9:31 

5 00:23:31 1:55 

6 00:31:57 8:28 

7 00:32:51 0:54 

8 00:34:50 1:58 

9 00:37:00 3:10 

10 00:49:06 11:06 

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Nulla Iperreale ‎– Il Nulla Che Attira A Se [Cass] (1983, ADN, Tasaday)

In 1981 Electric Eye released the first album on cassette by Brianzoli band Die Form entitled 'La Dimensione Umana'. The group consisted of Abderezac Ahmed (Saxophone, clarinet and voice), Alessandro Ripamonti, Alessandro Ronchi (Guitar), Carlo Ronchi (electric bass), Roberto Girardi (drums) and Stefano Sangalli (synthesizer and voice). Always in Brianza in those years move the Orgasmo Negato, that soon change name in Nulla Iperreale, formed by Alessandro Ripamonti (synthesizers), Marco Camorali (bass, amputed bass, percussions, voice and various material) and Paolo Cantù (guitar and electronic drums). The two groups started a collaboration, merging in Die Form & Nulla Iperreale. Together they activated an intense activity of concerts, fanzine productions, radio broadcasts and numerous tapes co-produced by their own labels Tasaday and ADN; 'Il Nulla Che Attira A Se' (1983, ADN) by Nulla Iperreale and under the name Die Form & Nulla Iperreale 'La Parte Maledetta' (1983) and 'In Un Silenzio Oscuro' (1983, ADN). In 1984 the release of the album 'Aprirsi Nel Silenzio' (ADN) sanctioned the definitive merger of the two groups under the name of Tasaday. [SOURCE: WIKIPEDIA] 

Label: ADN ‎– ADN TAPES 02, Tasaday ‎– TAS 006C 

Format: Cassette, Album 

Country: Italy 

Released: 1983 

Style: Industrial, Experimental, Power Electronics 

Tracklist:

A Untitled 30:13 

B Untitled 30:14 

Notes:

This is a very limited edition manufactured by the group and given to ADN for distribution, it was recorded on C-60 TDK or unbranded cassettes cassettes (usually bringing a Tasaday stamp on both sides) with a cover xeroxed and then laminated both sides or one side only. 

No credits or titles on cover but this sentence: "We don't Fear the Nullity, in which We See Reflected the Fascination of what We Live. Nulla Iperreale: The Last Fascination" and "All material decomposed at the Tasaday laboratories - August 1983". 

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Metal Y Ca ‎– Datos [7''] (1982, Lollipop)

Curro Rodríguez (vocals and synthesizer), Fernando Cañada (vocals and guitar), Fernando Cabello (saxophone), Ana Valenzuela (backing vocals) and Ana Villacorta (backing vocals) formed Metal & Ca, becoming one of the first synth-pop groups on the Madrid scene, where their electronic rhythms and lyrics ranging from industrial to sentimental and technical thinking predominated to produce exquisite melodic songs. In their compositions martial rhythms and charming lyrics full of naïf futurism glittered. They released their first record with Lollipop in May 1982, as well as being the first reference of the incipient label. It was an EP with the songs "Datos", "El Ultimo Sobreviviente" and "Humano". [SOURCE: GRUPOS NACIONALES NUEVA OLA 80] 

Label: Lollipop ‎– LOLLIPOP 001 

Format: Vinyl, 7" 

Country: Spain 

Released: 13 May 1982 

Style: Synth-pop, Minimal, Minimal Wave

Tracklist:

A Datos 

B1 El Último Superviviente 

B2 Humano 

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Lives Of Angels ‎– Alternative Programming [Cass] (1987, Color Disc)

Lives of Angels was the brainchild of Gerald O’Connell from London, England. In 1977 he joined his first band Mystery Plane, led by school mate Mark Harvey and later joined by his soon-to-be wife Catherine. Due to a lack of resources it was impossible to do the kind of music that was in his head. So he built his own studio. Gerald branched off in 1980 forming Lives of Angels as an outlet for his own compositions. Influenced by the Krautrock sounds of Neu! and Amon Duul II as well as US psychedelic rock, Lives of Angels crafted their own unique post-punk sound. Gerald says he has been influenced by, in no particular order: Van Dyke Parks; Tangerine Dream ('Zeit'); passing trains; The Grateful Dead (especially "Dark Star" in all its iterations); Ash Ra Tempel; Van Morrison ('Astral Weeks'); Steve Reich; Michael Rother; Albert Ayler; Neu! ("Hallogallo"); Glenn Branca; the sound of the city; distant playgrounds; late sixties San Francisco Psychedelia; Debussy; aircraft engines; Bulgarian folk song; Nusrat Fateh Ali Khan; Philip Glass; Wagner; Vaughan Williams; the dance bands of Zaire, especially Dr. Nico and Tabu Ley; Klaus Schulze; Schubert; Ornette Coleman; Arnold Bax; waterfalls; footsteps in cathedrals. [SOURCE: DARK ENTRIES]

Label: Color Disc ‎– Color 17 

Format: Cassette, Album 

Country: UK 

Released: 1987 

Style: New Wave, Minimal, Minimal Synth, Minimal Wave, Progressive Electronic

Tracklist:

A1 Expert System 

A2 Heartland (remix) 

A3 Green On Black 

B1 Samba School 1 

B2 Artificial Intelligence 3 

B3 Samba School 2 

B4 Ruby In The Dust 

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Killer Pussy ‎– Bikini Wax [CD] (1994, Oglio Records)

Killer Pussy were a low-rent B-52's, reworking the Athens, Georgia quartet's kitsch-saturated new wave quirk as smirky, vulgar jokes. Killer Pussy didn't have the B-52's' good humor or way with a hook, which is why their only album, 'Bikini Wax' (1983), is only of interest as a new wave artifact. The band's attempts at off-the-wall, wacky humor sound forced -in fact, they sound condescending, as if the members didn't understand the irreverence behind new wave and were simply making fun of it. Even if there were hooks driving Killer Pussy's songs, it would be hard to excuse moronically smutty jokes like "Pocket Pool," "Dildo Desire," "Moist Towelette," "Herpes" and "Teenage Enema Nurses in Bondage," which just have bad puns and shock value instead of genuinely clever dirty jokes. And since there are no hooks or humor on Bikini Wax, the record simply stands as a curiosity of the new wave era, proof that not everybody understood what was going on. [SOURCE: ALLMUSIC] 

Label: Oglio Records ‎– OGL 81565-2 

Format: CD, Album 

Country: US 

Released: 1994 

Style: New Wave, Punk, Surf Rock, Comedy Rock, Post-Punk, Novelty

Tracklist:

1 Bikini Wax (Vocal) 

2 Boys 

3 Pocket Pool 

4 Dildo Desire 

5 Pepperoni Ice Cream 

6 Tomahawks 

7 Dial-A-Teen 

8 Rockabilly Earwig 

9 Toad Hop 

10 Moist Towelette 

11 Herpes 

12 Pump-Rama 

13 Teenage Enema Nurses In Bondage 

14 Bikini Wax Walk 

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Janitor Joe ‎– Big Metal Birds [LP] (1993, Amphetamine Reptile Records)

'90s noise-alt group Janitor Joe is best-known as the original band of late bassist Kristen Pfaff, who would go on to join Courtney Love in Hole. Originally comprised of members Joachim Breuer (guitar, vocals), Matt Entsminger (drums), and Pfaff, Janitor Joe was formed in Minneapolis during 1991. The trio signed with the Amphetamine Reptile label shortly thereafter, issuing a debut LP in 1993, 'Big Metal Birds', a must for any fans of noise rock over-shadowed somewhat by Nirvana's success at the time. An extremely consistent album for those who like their bass fuzzy, guitars minimal, but caustic and the overall mood close to sleazy and creepy. Joachim's vocals veer between tensely lower register spoken voice and snarling, gruff voiced screaming. They sound like a better written Tar or a darker/noisier version of The Wipers. [SOURCE: RATE YOUR MUSIC] 

Label: Amphetamine Reptile Records ‎– ARR 39/247, Amphetamine Reptile Records ‎– AMREP 014

Format: Vinyl, LP, Album 

Country: US, Europe, Poland

Released: 29 Mar 1993 

Style: Noise, Punk, Post-Hardcore, Noise Rock, Grunge

Tracklist:

A1 Early Retirement 3:13 

A2 Voucher 2:03 

A3 Boyfriend 2:49 

A4 Limited Edition 2:19 

A5 One Eye 3:47 

A6 Big Metal Birds 3:13 

B1 Boys In Blue 3:43 

B2 Slur 2:28 

B3 Steel Plate 3:05 

B4 Goal Oriented 3:22 

B5 Sunshine 2:37 

B6 Head 2:04 

B7 African Necklace 3:03 

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I'm So Hollow ‎– Dreams To Fill The Vacuum [7''] (1980, Hollogram Records)

I'm So Hollow was a post-punk band from Sheffield, England, active from 1978 to 1981. They were part of the Sheffield scene in England, alongside such bands as Clock DVA, Comsat Angels and Vice Versa. They released their first and only single 'Dreams to Fill the Vacuum' in 1980, and, feeling they had achieved their ambitions with the recording of the album 'Emotion / Sound / Motion', split up shortly before its release in 1981. [SOURCE: WIKIPEDIA] 

Label: Hollogram Records ‎– ISH 001/002 

Format: Vinyl, 7", Single, Clear 

Country: UK 

Released: 1980 

Style: New Wave, Post-Punk

Tracklist:

A Dreams To Fill The Vacuum 

B Distraction 

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The Hanatarash ‎– 4: AIDS-A-Delic [CD] (1994, Public Bath)

Hanatarash was formed in Osaka, Japan when Yamatsuka Eye met Mitsuru Tabata at a Einstürzende Neubauten show. Their noisy compositions were created by tape manipulation, power tools, Eye's hollering and more. Hanatarash is most known for their violent live shows. One of the most famous incidents was Eye destroying a part of the stage with a bulldozer. Other incidents include cutting a dead cat in half with a machete, throwing a lit molotov cocktail on the stage, and Eye almost cutting his leg off due to a circular saw-related accident. Audience members had to sign disclaimers that they would not sue the band for potential injuries that might occur during a show. Beer bottles and gas tanks are said to have been thrown at the audience. The band was soon banned from performing at every venue in Japan, but they were later allowed to perform again without the trademark danger. "Hanatarash" is a truncated form of the word "hanatarashi," which means "snot-nosed" in Japanese. 

This is the album that inspired Mike Patton to record 'Adult Themes For Voice'. This album features many works that exemplify Eye's insane re-mixing abilities. It was recorded and mixed in 1991 on a single day. [SOURCE: RATE YOUR MUSIC]

Label: Public Bath ‎– PB CD3 

Format: CD, Album 

Country: US 

Released: 1994 

Style: Noise, Sound Collage, Plunderphonics

Tracklist:

1 No Go 0:09 

2 Zen Sex 0:26 

3 Web Wig 4:44 

4 Space Is Meat 0:55 

5 Here Come The Hanatara - Crew 0:44 

6 Buy My Bone 2:52 

7 Zion Maggot 3:40 

8 Bonus Track 0:23 

9 Ultra Tired 0:55 

10 Full Speed - Forgetman 4:04 

11 Meat ~ A ~ Delic 1:16 

12 Bank Is Dead Eskimo 0:46 

13 How To Use My Hole 2:00 

14 Vegitalian Is Meat 0:41 

15 Anti Satori 16:38 

16 Osaka: Out Of Order 2:47 

17 Something By Something 2:10 

18 Ok 1:08 

19 Mind Man 1:00 

20 Ponchobilly 0:38 

21 My Tooth Is Sore Diamond 0:04 

22 Hopeless Smile Speed 2:19 

23 Blah Men 1:39 

24 Head Is Foot 0:38 

25 Love & Love Love TV 7 0:33 

26 Now 0:37 

27 Rat Pows Penguin 3:24 

28 Low-N-R-G 2:14 

29 My No' Is 9999999999 0:57 

30 Buring Pro-Sleeper 0:35 

31 Car Is DNA 1:50 

32 Snake Is Long 3:40 

33 Call Me Sea 0:45 

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Goat – Cu [Cass] (1982, A Real Kavoom)

Goat was a 1980s post-punk / minimal synth band from London formed by Phil Pickering and Sean Purcell. Purcell was a member of Cuddly Toys, a new wave band from London that grew out of the glam rock-influenced punk rock band Raped. Phillip Gregory Pickering is a producer, bassist and multi-instrumentalist member of bands such Webcore (1980s Psychedelic Rock/Prog Rock group formed in Cornwall), Vane (English synth-pop group formed by James Vane) and Imago. They only released the album ‘Cu’ in 1982 in the A Real Kavoom label. 

Label: A Real Kavoom ‎– ARC 1 

Format: Cassette, Chromium Dioxide 

Country: UK 

Released: 1982 

Style: Synth-pop, Minimal, Minimal Synth

Tracklist:

A1 Similie 

A2 Dark Island 

A3 Zennor 

B1 Lucy, Lucy 

B2 Actors Tractor 

B3 Scapegoat 

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