Yximalloo is Naofumi Ishimaru alone, but he drafts a loose ensemble of players, including the core of Shigeo Ootake and Takashi Korgo (who appear on all discs), as collaborator-executors. All of his releases are on his own label, and none have seen a distributor yet (which is why you very rarely find his CDs in stores). Ishimaru works like a Japanese Jandek without the angst, like the Boredoms minus the bombast. Spiritual kin to early artpunk and especially the LAFMS, he revels in mock-ethnic music and nonsense. Lo-fi, sweet and primitive, he uses ancient drum machines, hand percussion, and electronic droplet noises, sometimes set to melodies gathered from some imaginary South Sea island where the traditional instrument is seemingly an old '80s synth. Handclaps and chanting abound, but Yximalloo has also been painted as a Japanese Half Japanese -Jad Fair himself has collaborated with Ishimaru and draws the covers several releases (gorgeous dayglo and glow-in-the-dark covers in iridescent plastic cases). [SOURCE: YXIMALLOO]
Label:
Sakura wrechords – C-07
Format:
CD, Compilation
Country:
Japan
Released:
1994
Style:
Experimental, Avant-Folk, Minimal Wave
Tracklist:
1 Traveler From Hopi
2 Why To Xmas
3 Russian Dance
4 Mahi Mahi Fish Song
5 Yximalloo's Tribe's Ensemble #15
6 Pressure From Christians To Nudists
7 Aikoku Kousin Kyoku #3
8 Fire
9 Fuli Fuli #11
10 Cola Song
11 Gureeoufuruutsu Juusu
12 The Song I Never Sing Again
13 Lotto
14 Inmarsat-Ati #3
15 Zicarbometxyvinylamine
16 The Border Of South
17 Helen
18 Fuck Me Beethoven
19 Inmarsat-Ati #9
20 Eel Fishing In Moon Night
21 Sweet Karen / Spare Us #33
22 Volks Sex
23 Hae #2
24 Fuli Fuli #14
25 Aikoku Kousin Kyoku #5.5
26 Life In A Quiet Village
27 Tori #33
28 Fr15z
29 White House Reaction
30 Dance Dance Dance Until The 3rd World War #39
31 Sleep Well
32 Self Hypnosis
Credits:
Artwork – Jad Fair
Notes:
Recorded in 1984
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