Claustrofobia, from Spain, presented an arty and theatrical synth-pop, similar to Kan Kan or Artery, typified by "La Espia Que Me Amo", further enhanced with traditional flamenco guitars in "Sueños De Donna". "Sombras En La Alcoba" navigated towards a mixture of dark-wave and the noir soundtrack-theme, while "Amor Sensible" was even more eclectic, a blend of disco beats, ambient spooks, incantations, and a middle-eastern chorus. Eclecticism isn't a panacea though, and it's only till "Rapsodia Bajo El Volga" that we encounter a real highlight, a ghostly and cursed piano theme, accompanied by a dejected vocal delivery and desolate sound-effects. All the while, "Lagrimas Por Un Bolero" was their most violent moment, but again behind the paroxysmal wall of synthesizers and guitars lay a fondness for the traditional Spanish ballad. [SOURCE: RATE YOUR MUSIC]
Label: Wilde Rekords – WR-004
Format:
Vinyl, LP, Mini-Album
Country: Spain
Released: 1984
Style: Synth-pop, Minimal, Darkwave, New Wave, Minimal Synth, Post-Punk, Krautrock
Tracklist:
A1 La Espia Que Me Amo 3:20
A2 Sueños De Donna 1:30
A3 Sombras En La Alcoba 3:00
B1 Amor Sensible 3:13
B2 Rapsodia Bajo El Volga 4:40
B3 Paris Nostalgic (Tango) 5:30
B4 Lagrimas Por Un Bolero 6:15
Notes:
"Rapsodia Bajo El Volga", "Paris Nostalgic" and "Lágrimas Por Un Bolero" recorded live at Sala Metro, Barcelona, in a 4-track Fostex.
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