Jesse Garon & The Desperadoes ‎– A Cabinet Of Curiosities [LP] (1989, Velocity Records)

This Edinburgh-based act emerged in 1986. Initially viewed as an informal venture -its founding line-up was largely drawn from members of another group, Rote Kopelle- The Desperadoes nonetheless established themselves as the leading exponents of the city’s ‘shambling’ scene, alongside the more fêted Shop Assistants. Fran Schoppler (vocals) Andrew Tully (guitar/vocals), Angus McPake (bass) and Marquerita Vazquez Ponte (drums) provided the core of a unit that made its debut with the melodic ‘Splashing Along’, a single sympathetically produced by ex-Jesus And Mary Chain bass player Douglas Hart. The Desperadoes’ deft blend of charm and melancholia was captured on a series of excellent singles, including ‘The Rain Fell Down’ and ‘And If The Sky Should Fall’. [SOURCE: ALLMUSIC]

Label: Velocity Records – speed LP 111 

Format: Vinyl, LP, Compilation 

Country: UK 

Released: 1989 

Style: Indie Rock, Twee Pop, Jangle Pop, Indie Pop

Tracklist:

A1 Splashing Along 

A2 I'm Up Here 

A3 The Rain Fell Down 

A4 The Adam Faith Experience 

A5 Laughing And Smiling 

A6 Just For A While (If Ever) 

B1 And If The Sky Should Fall 

B2 You'll Never Be That Young Again 

B3 Blacker Than Blue 

B4 Thursday Feels Fine 

B5 This Town Is Falling Down 

B6 Wealth Of Nations 

Notes:

Essentially a collection of their singles. 

A1 to A3 have been re-recorded. 

B5 & B6 are new songs, recorded June/July 1988. 

DOWNLOAD HERE 

impLOG. ‎– Breakfast / She Creatures [7''] (1980, Log Records)

impLOG were Don Christensen with help from Jody Harris. They were both in The Contortions and released just two records as impLOG -the ‘Holland Tunnel Dive’ 12” on Lust/Unlust Music (home of DNA, Teenage Jesus And The Jerks, Mars, Dark Day, Jeff And Jane Hudson) and a 7”, ‘Breakfast / She Creatures’ on Log Records. [SOURCE: DISCOGS] 

Label: Log Records ‎– LOG 001 

Format: Vinyl, 7", 45 RPM 

Country: US 

Released: 1980 

Genre: Rock 

Style: New Wave, No Wave, Post-Punk 

Tracklist:

A Breakfast 3:20 

B She Creatures 5:17 

DOWNLOAD HERE [@192]

The Higher Primates ‎– Taking In The Summer [7''] (1980, Tekno Tunes)

The Higher Primates was a "band" that existed, in studio only, in the early 1980's. All synths, guitars, bass, soprano, alto and tenor saxs, voices, engineering and everything else except the record cover design were the product of one Nicholas Wedd Brown, the cover was done by his sister, Penelope Brown. There were two live performance bands that featured Nick's music and were fronted by Nick. While the first was called The Higher Primates, the second incarnation was called simply The Primates. The first one, in Northampton Massachusetts, featured West Peddie on guitar and bass, Chris Houston on Fender Rhodes and synth, Roy Finch on synths, Jim Brown on drums and Nick on lead vocals, synth and guitar. They played exactly one gig, warming up for Tom Verlaine. Everyone but Brown contributed to the writing, including quite a number of other songs. The second was formed in 1983 in Washington D.C. and consisted of Carl Peachey on guitar, Marc Muscato on drums and Billy Swann on bass. Nick did his usual stuff. This incarnation did some recording but none has been released so far. [SOURCE: LAST.FM] 

Label: Tekno Tunes ‎– Les035 

Format: Vinyl, 7", 45 RPM, Single 

Country: US 

Released: 1980 

Genre: Electronic, Rock 

Style: Minimal, Post-Punk 

Tracklist:

A Taking In The Summer 

B Living In A Vacuum 

DOWNLOAD HERE [@256]

The Gerogerigegege ‎– Senzuri Champion [LP] (1987, Vis A Vis Audio Arts)

The Gerogerigegege (ザ・ゲロゲリゲゲゲ) (Japanese pronunciation: [za ɡeɾo ɡeɾi ɡeɡeɡe]) is a Japanese experimental music project, founded in 1985 by Juntaro Yamanouchi (山ノ内純太郎 Yamanouchi Juntarō). Though they are often categorized with Japanese harsh noise acts such as Merzbow and Masonna, The Gerogerigegege has also released albums of more straightforward punk rock ('Sexual Behavior in the Human Male'), noise ('45 RPM Performance'), and ambient music ('None Friendly', 'Endless Humiliation'), in addition to several seven inch records mixing these styles with found recordings. [SOURCE: WIKIPEDIA] 

Label: Vis A Vis Audio Arts ‎– V-001 

Format: Vinyl, LP, Album, Limited Edition 

Country: Japan 

Released: 1987 

Genre: Electronic 

Style: Noise, Harsh Noise, Noisecore, Field Recording

Tracklist:

A1 Introduction 1:32 

A2 Violence Onanie 9:20 

A3 Rock 'N Roll ~Dutch Wife ABC 1:38 

A4 Anal Beethoven 4:30 

B1 I'm Herpes, Yes I Am 2:26 

B2 Absolute Rape Beat 2:48 

B3 Senzuri Champion 6:32 

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Fire Engines ‎– Lubricate Your Living Room [LP] (1981, Pop Aural)

While a product of the same Scottish post-punk movement that also gave rise to Orange Juice and Josef K, Fire Engines were far more abrasive and discordant than their pop revivalist brethren, forsaking melodies and hooks in favor of noise and fury. Fire Engines formed in Edinburgh in 1979; three of its founders -singer / guitarist Davey Henderson, bassist Graham Main, and drummer Russel Burn- were previously in The Dirty Reds. Rounded out by guitarist Murray Slade, the quartet took its name from a 13th Floor Elevators song and debuted in late 1980 with the primal 'Get Up and Use Me', issued on the Codex Communications label. Packaged in a plastic carrier bag, Fire Engines' manic debut LP, 'Lubricate Your Living Room', appeared in early 1981. [SOURCE: ALLMUSIC] 

Label: Pop Aural ‎– ACC 001 

Format: Vinyl, LP 

Country: UK 

Released: Jan 1981 

Genre: Rock 

Style: New Wave, Post-Punk 

Tracklist:

A1 Plastic Gift 1:02 

A2 Get Up & Use Me 2:56 

A3 Sympathetic Anaesthetic 3:12 

A4 Discord 6:51 

B1 New Thing In Cartons 2:55 

B2 Hungry Beat 4:31 

B3 Lubricate Your Living Room Pt.1 4:34 

B4 Lubricate Your Living Room Pt.2 2:32 

B5 Plastic Gift (Reprise) 0:54 

Notes:

Recorded 5th October 1980. 

Initial copies came in plastic "Pop Aural"-bag. 

Track B5 not listed on sleeve or label. No durations on release. 

Band name given as 'The Fire Engines' on the sleeve rear, and as 'Firengines' on the labels. 

DOWNLOAD HERE [@320]

Essendon Airport ‎– Sonic Investigations (Of The Trivial) [7''] (1980, Innocent)

Formed in Melbourne, Essendon Airport began as an instrumental electronic music duo in 1978 by Robert Goodge on lead guitar and David Chesworth on Wurlitzer electric piano and a home made drum machine. Both members lived in or near the suburb of Essendon, and took the name of Essendon Airport.  The duo version released a four-track extended play, 'Sonic Investigations (Of the Trivial)', in May 1980 on Innocent Records. The duo described the EP's tracks, "songs which combine many of the most facile and insipid kinds of music in a redeemingly dignified manner... creating new trivia out of old. All this takes place along with a kind of pedantic fetishism for small-repetition games - the music travels in circles, spirals and solid blocks of sameness and difference." The label, Innocent Records, was co-owned by Chesworth and Philip Brophy (of performance group, → ↑ →). [SOURCE: WIKIPEDIA] 

Label: Innocent – NON-1 

Format: Vinyl, 7", EP, 33 ⅓ RPM, Limited Edition 

Country: Australia 

Released: 11 May 1980 

Style: Experimental, Minimal, Post-Punk, Minimal Wave

Tracklist:

Take Off 

A1 Runway Rock 3:27 

A2 How Low Can You Go... (?) 3:26 

Touch Down 

B1 Wallpaper Music 5:38 

B2 3 Against 4 1:47 

Notes:

Limited edition of 500. "Rigorously ordered electric music that's not 'electronic'." according to the official Australian Innocent label 1981 catalogue. Comes in screen printed triple gatefold card sleeve. 

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The Dead C ‎– Repent [CD] (1996, Siltbreeze)

The six tracks on 'Repent' are taken from live recordings made during a 1996 New Zealand tour. This makes for an interesting break from the rather studio-bound noise experiments of The Dead C's previous releases. In a "real" context, the band constructs massive instrumentals which build momentum from their noise, with all of the drone, Krautrock, and Wall of Sound tones that this implies. The key to 'Repent's efficacy is the human presence behind it; rather than interpreting studio manipulations, one actually hears the band creating its noisy tones, and this lends the work the same realism that, to a lesser extent, marks 'Tusk'. [SOURCE: ALLMUSIC] 

Label: Siltbreeze ‎– SB-66 

Format: CD, Album 

Country: US 

Released: 1996 

Genre: Electronic 

Style: Noise, Experimental 

Tracklist:

1 I 10:18 

2 II 12:31 

3 III 9:21 

4 IV 11:52 

5 V 4:08 

6 VI 8:49 

Notes:

CD only release that incorporated photocopied covers pasted on left over digi-packs from the band's Whitehouse release. 

DOWNLOAD HERE [@320]

Carcrash International ‎– All Passion Spent [12''] (1984, Crammed Discs)

Carcrash International was a post-punk band associated with the Batcave scene, formed by Dave Roberts (aka Dave Sex Gang), original bass player of Sex Gang Children, who used the name for two projects. The band made their initial appearance in 1983 on the compilation album 'The Whip' with the title track "The Whip". Later the same year, a new version of "The Whip" was released as a single (credited to Carcrash International). A second 12" single, 'All Passion Spent', was released in 1984. For this release, the band was a trio consisting of Roberts, drummer Matthew Best and new guitarist Stephanie Paynes. [SOURCE: WIKIPEDIA] 

Label: Crammed Discs ‎– CRAM 031 

Format: Vinyl, 12" 

Country: Belgium 

Released: 1984 

Genre: Electronic 

Style: Synth-pop 

Tracklist:

A All Passion Spent 3:20 

B Dial First... (P.O.A.) 4:11

DOWNLOAD HERE [@320]

The Batfish Boys ‎– The Gods Hate Kansas [LP] (1985, Batfish Incorporated)

The Batfish Boys (later simply called Batfish) were a gothic rock / garage rock / rockabilly band from York and Leeds, England, active between 1984 and 1990. The band was formed by former March Violets vocalist Simon Detroit (b. Simon Denbigh) and ex-Skeletal Family drummer Martin "Bomber" Pink, initially assisted on their first single, 1985's 'Swamp Liquor' (their first release on their own Batfish Incorporated label) by Denbigh's ex-bandmates in March Violets, bassist Loz Elliott and guitarist Tom Ashton. Their goth tendencies evolved into a more Stooges-influenced garage rock sound, and debut album 'The Gods Hate Kansas' prompted comparisons to the likes of The Cramps and The Gun Club. [SOURCE: WIKIPEDIA] 

Label: Batfish Incorporated ‎– USS 102 

Format: Vinyl, LP, Album 

Country: UK 

Released: 1985 

Style: Alternative Rock, New Wave, Goth Rock, Post-Punk, Hard Rock

Tracklist:

A1 Real Rough Dude 3:24 

A2 The Tumbleweed Thing 3:50 

A3 Killer Sub 3:43 

A4 Mrs. Triffid 5:38 

A5 Swamp Liquor 4:26 

B1 Chronopolis 4:54 

B2 Lootenant Lush 4:10 

B3 The Birth Of Rock And Roll 3:20 

B4 Garth Rides Out 3:11 

B5 Hot Guns 3:14 

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Abecedarians ‎– The Other Side Of The Fence [2x10''] (1990, Independent Project Records)

'Other Side of the Fence' compiles rare mid-'80s demos, remixes and other recordings cut by the Abecedarians before their move to Factory Records. However, the music here proves the Abecedarians were always a Factory band, at least in spirit; their instrumental interplay recalls both Joy Division and New Order throughout the collection, most particularly in the juxtaposition of subdued guitars against driving bass found in "Ghosts" and "John's Pop". [SOURCE: ALLMUSIC] 

Label: Independent Project Records ‎– IP 031/ 032 

Series: Archive Series – ARCHIVE TWO 

Format: 2 × Vinyl, LP, 10", Compilation, Limited Edition, Numbered 

Country: US 

Released: 1990 

Style: Alternative Rock, New Wave, Post-Punk

Tracklist:

A1 Beneath The City Of The Hedonistic Bohemians 

A2 Ghosts 

A3 John's Pop 

B1 Come Out 

B2 Classic 

B3 Spaghetti Western 

C1 Switch 

C2 Where's Karen 

C3 Soil 

D1 The Other Side Of The Fence 

D2 Wildflower 

D3 They Said Tomorrow 

Notes:

These recordings are among the first made by The Abecedarians, all dating from 1983-1985 and preceding the release of their debut 12" on Factory Records in 1985. 

DOWNLOAD HERE

39 Clocks ‎– Cold Steel To The Heart [LP] (1985, What's So Funny About.., Psychotic Promotion)

The German duo 39 Clocks came of age during the late '70s, but they had no truck with the punk scene; instead they were inspired by the Dada movement, echoing rockabilly and the art-damaged side of the Velvet Underground. The duo eschewed formalities like names or choruses as they alienated local audiences and released records that nobody paid much attention to. History treated them well, however, and even though they didn't make any albums after 1987, their first two albums (1981's 'Pain It Dark' and 1982's 'Subnarcotic') became touchstones for crate diggers and people looking for off-kilter, inventive, and weird post-punk music. [SOURCE: ALLMUSIC] 

Label: What's So Funny About.. ‎– SF 39, Psychotic Promotion ‎– PSI-F 

Format: Vinyl, LP, Album 

Country: Germany 

Released: 1985 

Style: New Wave, Psychedelic Rock, Post-Punk

Tracklist:

A1 – 39 Clocks P.L.O. 3:46 

A2 – 39 Clocks Cold Steel To The Heart (& It Beats No More) 5:30 

A3 – 39 Clocks 39 Progress Of A Psychotic 4:10 

A4 – 39 Clocks Shadow Or A Man 2:16 

A5 – 39 Clocks The Great Chomeini 3:24 

A6 – 39 Clocks Untitled 

B1 – 39 Clocks Fast Cars 2:50 

B2 – 39 Clocks Your Prick Makes Me Sick 3:04 

B3 – 39 Clocks Art Minus Idiots 3:38 

B4 – 39 Clocks Signs & Toys 4:43 

B5 – 39 Clocks Psycho Beat 3:40 

B6 – Killing Rats Beat Your Brain Out 2:42 

Notes:

"A selection of previously un-released jewels of psycho beat preciousities" 

A1 recorded in summer 1982 

A2 recorded late 1978 

A3 recorded 1982 

A4 [no recording details given, listed as "Shadow Of A Man" on label] 

A5 recorded in winter 1979 

A6 [isn't listed on sleeve or label] 

B1 "Subnarcotic" studio outtake 

B2 recorded early 1979 

B3 [no recording details given, previously released on "Klar Und Wahr - Sounds Rettet Deutschland" cassette compilation 1982] 

B4 recorded in rehearsal room 

B5 recorded May 1980 

B6 recorded in summer 1977 by the band's earlier incarnation "Killing Rats" [ends in a locked groove] 

DOWNLOAD HERE [@256]

Various ‎– Subterranean Modern [LP] (1979, Ralph Records)

One of the original forefathers in the industrial boom of the 1980s, Chrome's amalgam of distorted guitars and vocals, samples from TV, and a raw punk aesthetic (inspired by The Stooges) became much more popular in the early '90s than it ever was while the band was around in the '70s and '80s. Although active for only six years, Chrome left behind a huge discography, including nine full LPs (several of which were released posthumously) and numerous EPs and singles. 

MX-80 Sound is an eclectic art-metal-rock band founded in 1974 in Bloomington, Indiana by guitarist Bruce Anderson. Considered “one of the most out of step but prescient bands of its time," MX-80’s signature sound consisted of breakneck metallic guitar combined with atonal chord structure, cross-rhythmic percussion and dispassionate vocals. Notoriously difficult to categorize -the band has been labeled noise rock, post-punk, acid punk, and heavy-metal-, MX-80’s sonic melange set the stage for bands such as Swans, Sonic Youth, Codeine, and Shellac. 

Over the course of a recording career spanning several decades, The Residents remained a riddle of Sphinx-like proportions; cloaking their lives and music in a haze of willful obscurity, the band's members never identified themselves by name, always appearing in public in disguise -usually tuxedos, top hats and giant eyeball masks- and refusing to grant media interviews. Drawing inspiration from the likes of fellow innovators including Harry Partch, Sun Ra, and Captain Beefheart, The Residents channeled the breadth of American music into their idiosyncratic, satiric vision, their mercurial blend of electronics, distortion, avant-jazz, classical symphonies and gratingly nasal vocals reinterpreting everyone from John Philip Sousa to James Brown while simultaneously expanding the boundaries of theatrical performance and multimedia interaction. 

The music of avant-garde, electronic-oriented collective Tuxedomoon ranged from new wave pop to jazz fusion to more experimental synthesizer soundscapes (usually including saxophone and violin), which were frequently married in concert to performance art shows. Tuxedomoon signed to The Residents' Ralph Records in 1979, which eventually got them overseas exposure. 

Label: Ralph Records ‎– SM7908 

Format: Vinyl, LP, Album 

Country: US 

Released: Aug 1979 

Style: Space Rock, Psychedelic Rock, Avantgarde, Experimental, Post-Punk, Garage Punk, Minimal Wave, Minimal Synth, Experimental Rock, Noise Rock

Tracklist:

A1 – Chrome Anti-Fade 3:52 

A2 – Chrome I Left My Heart In San Francisco 0:27 

A3 – Chrome Meet You In The Subway 5:15 

A4 – MX-80 Sound Lady In Pain 2:49 

A5 – MX-80 Sound I Left My Heart In San Francisco 1:52 

A6 – MX-80 Sound Possessed 4:54 

B1 – The Residents I Left My Heart In San Francisco 2:02 

B2 – The Residents Dumbo, The Clown (Who Loved Christmas) 2:07 

B3 – The Residents Is He Really Bringing Roses? (The Replacement) 2:34 

B4 – The Residents Time's Up 2:54 

B5 – Tuxedomoon I Left My Heart In San Francisco 1:03 

B6 – Tuxedomoon Everything You Want 4:14 

B7 – Tuxedomoon Waterfront Seat 4:28 

Notes:
"Subterranean Modern was Ralph Records' first album involving music from anyone other than The Residents or Snakefinger. The idea was to widen Ralph's appeal by bringing a greater variety of styles into the label. To this end Ralph had four band submit contributions on the theme of "San Francisco". Each was required to include a version of Tony Bennett's I Left My Heart In San Francisco. The four bands chosen were The Residents (of course), Chrome, Tuxedomoon, and MX-80 Sound..." (notes from The Residents website) 

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Zip – Your Love [12''] (1988, Immaculate Records)

Zip was an obscure side project by legend Pete Shelley from 1988 and it sees him working with producer John Fryer; 'Your Love' was the only release from the trio formed by Pete Shelley (Guitar, Vocals), Gerrard Cookson (Guitar and Programming) and Mark Sanderson (Bass). It is typical Shelley with pop songs hiding under a layer of electronics, blending punk rock guitar and sequencers. [SOURCE: MY VINYL DREAMS] 

Label: Immaculate Records ‎– 12 IMMAC 5 

Format: Vinyl, 12" 

Country: UK, Germany, Europe

Released: 1988 

Style: New Wave, Synth-pop 

Tracklist:

A1 Your Love 3:21 

A2 Give It To Me (Ext) 5:52 

B Your Love (Ext) 6:44 

DOWNLOAD HERE

Yeah Yeah Noh ‎– Cutting The Heavenly Lawn Of Greatness...Last Rites For The God Of Love [LP] (1985, In Tape)

Yeah Yeah Noh are an "unpop" group formed in Leicester, England in 1983. Originally a product of the DIY post-punk era, they released two albums and five singles while still together in the 1980s, and have had two compilation albums issued since they split in 1986. Yeah Yeah Noh was formed by Derek Hammond (vocals, guitar) and John Grayland (guitar); Adrian Crossan (bass) joined them for the first single along with Graham Summers (drums). Sue Dorey (drums, vocals) was then recruited to complete the line up, debuting on the second single. Signing to In-Tape records, the band debuted in June 1984 with the 'The Cottage Industry EP', featuring humorous and satirical lyrics and post-punk/jangle-pop music. After adding Tom Slater on guitar, the band moved towards a more psychedelic sound and introduced more serious songwriting for first album proper, 'Cutting The Heavenly Lawn Of Greatness...Last Rites For The God Of Love' in 1985. The band released a further single but split up in 1986. [SOURCE: WIKIPEDIA] 

Label: In Tape ‎– IT 021 

Format: Vinyl, LP, Album 

Country: UK 

Released: 1985 

Genre: Rock 

Style: New Wave 

Tracklist:

A1 Temple Of Convenience 

A2 Prick Up Your Ears 

A3 Married Miss New Jersey 

A4 Starling Pillowcase 

A5 Houdini 

A6 Susie's Party 

A7 Panacea's Pictures 

A8 She Said She Said 

B1 Stealing In The Name Of The Lord 

B2 Home-Ownersexual 

B3 The Short-Cut Way To Saturday 

B4 Crimplene Seed Lifestyle 

B5 See Through Nature 

B6 Zoological Gardens 

B7 Blood Soup 

DOWNLOAD HERE [@320]

Wild West – Beat The Drought [7''] (1981, Not On Label)

The post punk landscape slowly changed in Sydney at the beginning of the 80s with more emphasis being placed on melody and rhythm. More funk, less experimentation and so on. Wild West eased into this nexus with a taut style and a tidy little group dynamic. The sound of the band was unique without being startling. Peter Nelson's jangly, intricate guitar flitted around Gordon Renouf's liquid, pneumatic bass lines and Phil Turnbull's simplistic chords and sometimes grating synth riffs. Peter Macgregor added a necessary driving force although we all felt that those beloved roto-toms were a bit much. Eventually Rae Byrom joined with some surprisingly elegant and playful synth motifs. They released the 'Beat The Drought' EP in 1980 containing "Calling The House" (a somewhat hypnotic and graceful 5/4); "Chinchilla" (a mesmerizing verse drone with a punchy two note chorus); "We Can Do" (sort of shouted funk with a climactic chorus change and a pots and pans percussion ending) and "Red Sea" (a slightly experimental 3 section piece with buzzing synths and a lovely short bass 'solo' at the end). [SOURCE: NO NIGHT SWEATS] 

Label: Not On Label ‎– none 

Format: Vinyl, 7", EP, 45 RPM 

Country: Australia 

Released: 1981 

Genre: Electronic, Rock 

Style: New Wave, Post-Punk 

Tracklist:

Dry 

A1 Calling The House 2:20 

A2 Chinchilla 2:58 

Wet 

B1 We Can Do 2:31 

B2 Red Sea 2:53 

Notes: 

Recorded and mixed at M². 

DOWNLOAD HERE [@128]

The Very Things ‎– Motortown [12''] (One Little Indian, 1987)

The Very Things were one of various outfits launched under the umbrella organization of the Dada Cravats Laboratory (DcL), based in Redditch, Worcestershire, England. This group operated a number of musical projects under Dada principles: ‘Using that banner was a lot simpler than delivering lengthy manifestos’. Other groups operating out of the same stable included The Cravats, Babymen, and DcL Locomotive. After a series of personnel changes, they folded in 1988, leaving behind the Motown-influenced 'Motortown' (produced by Ray Shulman, ex-Gentle Giant, and Derek Birkett, ex-Flux Of Pink Indians). [SOURCE: ALLMUSIC] 

Label: One Little Indian ‎– TPLP 6 

Format: Vinyl, 12", 33 ⅓ RPM, Mini-Album 

Country: UK 

Released: Oct 1987 

Style: Alternative Rock, Leftfield, Rockabilly 

Tracklist:

A1 Let's Go Out 

A2 This Is Motortown 

A3 There's A Ghost In My House 

B1 She's Standing Still 

B2 Walking In The Sand 

B3 Motortown Epilogue 

Credits:

Drums – Robin Holland

Guitar – R. R. Dallaway

Keyboards – R. R. Dallaway

Producer, Engineer – Brian Pugsley, Ray Shulman 

Producer, Engineer, Programmed By – Derek Birkett 

Vocals – R. R. Dallaway, The Shend 

DOWNLOAD HERE